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Nitesh Tiwari’s Ramayana – India’s Most Ambitious Cinematic Project

Nitesh Tiwari’s Ramayana stands ready to rewrite the history of Indian cinema. This monumental adaptation of the beloved Hindu epic brings together stellar performances, cutting-edge technology, and an unprecedented budget that could establish new benchmarks for the industry.

The project marks the most ambitious undertaking in Bollywood’s recent history. Tiwari, acclaimed for masterpieces like Dangal and Chhichhore, now steps into mythological territory with a vision that promises to captivate audiences worldwide.

The Record-Breaking Budget and Two-Part Structure

The makers have allocated an astronomical ₹835 crore budget solely for Part One, making it India’s most expensive film ever. This staggering investment of $100 million surpasses previous Indian blockbusters by significant margins.

Producer Namit Malhotra plans to expand this budget further as the franchise grows. The two-part structure allows filmmakers to tell the complete story without compromising on visual grandeur or narrative depth.

The majority of this budget will fund CGI and post-production work, with the film requiring 600 days of post-production alone. This extended timeline speaks volumes about the commitment to creating original, high-quality visuals.

Star Cast That Could Set a New Benchmark

Ranbir Kapoor as Lord Ram

Ranbir Kapoor leads the cast as Lord Ram, bringing his versatile acting skills to this sacred role. Reports suggest Kapoor has completed nearly 90% of his work for Part One, dedicating substantial time to embodying the divine character.

The actor reportedly earned ₹225 crore for the entire trilogy, making it one of the highest actor fees in Indian cinema history.

Yash as Ravana

Kannada superstar Yash, famous for the KGF franchise, portrays the complex antagonist Ravana. His casting brings pan-Indian appeal and adds star power that transcends regional boundaries.

Yash began filming his portions in December 2024 after completing significant work on his project Toxic.

Sai Pallavi as Sita

Sai Pallavi steps into Bollywood with her portrayal of Goddess Sita. Known for her authentic performances in South Indian cinema, she brings natural grace and emotional depth to this revered character.

The supporting cast includes veterans like Sunny Deol as Hanuman, Ravi Dubey as Lakshman, and Arun Govil (the original TV Ramayana’s Ram) as Raja Dashrath.

The Role of VFX in Bringing Ramayana to Life

Namit Malhotra, founder of Prime Focus Limited and CEO of DNEG, oversees the visual effects. DNEG has won eight Academy Awards, including recognition for Dune: Part Two.

The team previously worked on Hollywood blockbusters like Blade Runner 2049 and Dune, bringing that international expertise to Indian mythology. This collaboration ensures world-class visual effects that can compete globally.

The 600-day post-production schedule allows for meticulous attention to detail. Every frame will undergo rigorous quality control to create visuals worthy of this timeless story.

Why Ramayana Could Outperform Baahubali at the Box Office

Baahubali 2 currently holds the record as India’s highest-grossing film with ₹1,810 crore worldwide collections. However, Ramayana possesses several advantages that could help it surpass this milestone.

The Ramayana story enjoys universal recognition across India and globally. Unlike region-specific narratives, this epic resonates with audiences regardless of language or cultural background.

The star cast spanning multiple film industries ensures appeal across linguistic barriers. Ranbir Kapoor’s Bollywood fanbase, Yash’s South Indian following, and Sai Pallavi’s pan-Indian recognition create a perfect storm for box office success.

The unprecedented budget promises visual spectacle that could draw audiences to theaters multiple times. Early reports suggest the film will redefine what Indian cinema can achieve on the technical front.

Expected Release Timeline: 2026-2027

The first part releases during Diwali 2026, with Part Two following on Diwali 2027. This festival timing maximizes box office potential during India’s biggest celebration period.

The two-year gap between releases builds anticipation while allowing adequate time for post-production excellence. Makers recently announced these dates with the film’s first poster, generating massive excitement among fans.

This timeline positions both films strategically during peak movie-going seasons, potentially setting new opening weekend records.

Could Ramayana Be the Biggest Movie Ever?

Nitesh Tiwari’s Ramayana possesses every ingredient needed to become India’s biggest cinematic achievement. The combination of beloved source material, stellar performances, cutting-edge technology, and unprecedented investment creates unprecedented potential.

The project represents more than entertainment – it’s a cultural phenomenon that could elevate Indian cinema’s global standing. If executed successfully, this adaptation might not just break box office records but also establish new standards for mythological storytelling worldwide.

The film industry watches closely as this ambitious project takes shape, knowing it could reshape Indian cinema for future generations.

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Movies Uncategorized

CGI vs Storytelling in Bollywood: The Case of Maa and the Industry’s VFX Dilemma

Bollywood CGI issues have reached a tipping point where poor visual effects are overshadowing strong storytelling. The recent release of “Maa,” starring Kajol, perfectly exemplifies this growing problem. 

Despite featuring compelling performances and an emotionally rich script, the film’s subpar CGI undermined its impact, leaving audiences frustrated with what could have been a memorable cinematic experience.

CGI vs storytelling in Bollywood has become an increasingly contentious debate. While international cinema successfully balances cutting-edge visual effects with narrative depth, Bollywood continues to struggle with this fundamental challenge, often prioritizing spectacle over substance or delivering neither effectively.

The CGI-Storytelling Dilemma: What Went Wrong in Maa?

Maa movie CGI issues serve as a prime example of how poor visual effects can derail an otherwise promising film. Critics and audiences consistently pointed out the film’s “tacky VFX” and “mediocre special effects,” particularly in supernatural sequences featuring the antagonist.

Bollywood CGI failures in Maa were especially evident in scenes requiring mythological elements. The supernatural antagonist, created entirely through special effects, was compared unfavorably to “Groot” from Marvel films, failing to generate the intended fear or awe. Instead of enhancing the horror atmosphere, these sequences became unintentionally comedic.

CGI and storytelling clash occurred throughout Maa’s runtime, with visual effects feeling disconnected from the emotional core of the story. While Kajol delivered a powerful performance as a mother protecting her daughter, the poor CGI execution diminished the impact of pivotal supernatural moments that should have elevated the narrative tension.

Why Bollywood Needs to Rethink Its CGI Approach

Bollywood CGI budget issues extend beyond individual films to represent systemic problems within the industry. Many productions allocate substantial portions of their budgets to marketing and star salaries while neglecting the technical aspects crucial for modern filmmaking.

Why Bollywood needs better VFX becomes evident when comparing films like Maa to successful projects in the Shaitaan universe or Maddock Cinematic Universe productions. These films have established benchmarks for quality CGI that enhance rather than detract from storytelling.

CGI and story balance Bollywood remains elusive because filmmakers often treat visual effects as an afterthought rather than an integral part of the creative process. This approach results in rushed, poorly executed sequences that fail to serve the narrative effectively.

Learning from International Cinema: A Balance Between CGI and Story

International films CGI balance demonstrates how visual effects should support storytelling rather than replace it. Movies like “The Lord of the Rings” trilogy, Marvel films, and recent successes like “Dune” show how CGI can create believable worlds while maintaining emotional authenticity.

Bollywood learns from international cinema by studying how Hollywood allocates resources and time for VFX development. International productions typically involve VFX teams from the pre-production stage, ensuring visual effects align with the director’s vision and story requirements.

CGI in storytelling works best when it feels invisible or enhances practical elements rather than replacing them entirely. International successes demonstrate that audiences appreciate authenticity over flashy but unconvincing digital spectacle.

What Can Bollywood Do to Improve Its VFX and CGI?

Improving VFX in Bollywood requires fundamental changes in how the industry approaches visual effects. First, productions must allocate adequate time and budget for VFX development, treating it as essential as cinematography or sound design.

Bollywood CGI solutions include investing in skilled VFX professionals, establishing long-term partnerships with quality studios, and incorporating visual effects planning during script development. Films should use practical effects wherever possible and employ CGI to enhance rather than replace physical elements.

Better CGI in Bollywood films demands industry-wide commitment to quality over quantity. Rather than attempting numerous complex visual effects sequences, filmmakers should focus on executing fewer sequences with higher quality standards.

The Future of Bollywood: Will CGI Continue to Dominate?

Future of Bollywood CGI depends on whether the industry learns from current failures and successes. The Indian VFX market, valued at ₹5,400 crore in 2023, continues growing at 8% annually, indicating sustained investment in visual effects technology.

Bollywood CGI trends show increasing collaboration with international studios and adoption of AI-powered tools that can improve efficiency and quality. However, technological advancement alone won’t solve fundamental creative and budgetary allocation problems.

Bollywood filmmaking future will likely see a bifurcation between high-budget spectacles with world-class VFX and smaller films focusing on storytelling with minimal digital effects. Success will depend on matching technical ambitions with available resources and creative vision.

Moving Forward: Balancing CGI and Story in Bollywood Films

The case of Maa illustrates why Bollywood CGI issues require immediate industry attention. When strong performances and compelling scripts are undermined by poor visual effects, the entire cinematic experience suffers, potentially damaging audience trust and box office performance.

CGI and story balance Bollywood must become a priority for filmmakers who want to compete globally while serving domestic audiences. This means treating visual effects as storytelling tools rather than marketing gimmicks or budget afterthoughts.

Bollywood film industry future depends on recognizing that modern audiences have sophisticated visual literacy developed through exposure to international content. The industry must either meet these raised expectations or focus on strengths that don’t require extensive CGI, ensuring that Bollywood storytelling and CGI work in harmony rather than opposition.

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Best Movies Movies

Underrated Bollywood Movies to Watch in 2025

Bollywood’s biggest enemy is no longer piracy or audience preference—it’s its own complacency.

In the last 2–3 years, a shocking trend has emerged—more than 80% of Hindi films have either underperformed or completely flopped, not because of audience disinterest, but due to lazy filmmaking, poor script, copied content and an over-dependence on star power.

Actors with massive fanbases, like Akshay Kumar, Aamir Khan, and Salman Khan, have all had films that failed to connect with audiences. Titles like Housefull 5, Bade Miyan Chote Miyan, Selfiee, Prithviraj Chauhan, Bachchan Pandey, Sikandar, and even Laal Singh Chaddha—despite huge budgets, all-star casts, and heavy promotions—ended up disappointing viewers due to poor writing, predictable scripts, or lack of emotional depth.

According to Business Standard, audience footfall in theatres for Hindi films dropped by nearly 35%, even as smaller films (12th Fail, Sirf Ek Bandaa Kaafi Hai, Laapataa Ladies) gained love through OTT and strong word of mouth.

Bad acting is rewarded, bad writing is normalized, and new ideas are crushed to play it safe. Even Aamir Khan admitted Bollywood lacks sincerity in storytelling, while Javed Akhtar questioned why South Indian cinema can still bring Hindi-speaking audiences to theatres, despite similar OTT availability.

Bollywood isn’t failing because people don’t want to visit theatres—it’s failing because there’s often nothing worth watching.

So What’s the Solution?

It’s time to stop blaming the audience and start highlighting the good Hindi films that got buried under poor marketing, small budgets, or lack of star power. These are the movies that didn’t trend on Instagram but touched hearts, showcased great performances, and had stories that actually mattered.

Today, we will talk about some of the most underrated Bollywood movies that will leave a lasting impression on you. I’ve watched each of these films personally, and I can say this confidently: if you love deep stories, real emotions, powerful acting, and memorable characters, this list is for you.

But—if you’re looking for loud action like Pushpa, larger-than-life antiheroes like Animal, or commercial drama like Kabir Singh, this might not be your thing. These movies aren’t designed for box office gimmicks. They are made to tell real stories, touch the heart, and stay with you long after the credits roll.

Some of today’s best actors gave their career-best performances in these films—simply because they got the right script and a strong director.

Names like:

  • Manoj Bajpayee,
  • Ravi Kishan,
  • Randeep Hooda,
  • Dhanush,
  • Abhay Deol,
  • Arjun Rampal,
  • Paresh Rawal,
  • Jimmy Shergill,
  • Irrfan Khan,
  • Anupam Kher

They don’t always need 100-crore sets or overhyped trailers to shine. They just need a meaningful role.

You can watch all 12 movies mentioned in the list for free on YouTube. They’re reminders of what good cinema actually feels like.

So if you’re tired of movies with forced comedy, multiple endings, or songs every 10 minutes, this list will remind you what Bollywood used to do best.

1. 1971 (2007)

Director: Amrit Sagar
Cast: Manoj Bajpayee, Deepak Dobriyal, Ravi Kishan, Chittaranjan Giri, Kumud Mishra
Running Time: 2 hours 40 minutes
IMDB – 8.1 

1971 is a gripping war drama based on a real issue that many still don’t know—Indian soldiers captured as prisoners of war (POWs) during the Indo-Pak conflict, left behind and forgotten. The film follows the escape attempt of six brave Indian soldiers from a Pakistani jail, focusing not just on action, but on the quiet heroism, trauma, and hope of those trapped across enemy lines. Directed by Amrit Sagar (grandson of Ramanand Sagar), it’s a rare gem of patriotic storytelling, free from over-the-top nationalism.

The film won the National Award for Best Hindi Feature Film and yet barely made a mark commercially. It remains one of India’s most underrated war films ever made.

The acting was universally praised, especially Manoj Bajpayee’s performance, which many called his best. The background music, cinematography, and realistic act also received high praise. Despite limited promotion and no A-list glamour, audiences who discovered it found themselves returning to it again and again. The cast—full of what many would call “underrated actors”—deliver better performances than most overhyped blockbusters. It’s a film that doesn’t age; it reminds you of the value of sacrifice, freedom, and forgotten heroes.

2. Laal Rang (2016)

Director: Syed Ahmad Afzal
Cast: Randeep Hooda, Akshay Oberoi, Pia Bajpai
Running Time: 2 hours 30 minutes
IMDB – 7.8 

Set in the rustic lanes of Haryana, Laal Rang dives deep into the dark, gritty world of blood donation rackets, a subject rarely touched in Indian cinema. The story follows Shankar Malik, played by Randeep Hooda in one of his career-best performances—a man who runs an illegal blood bank operation but has charm and depth that makes him hard to hate.

The movie isn’t just about crime—it’s a layered story of friendship, betrayal, love, and loneliness, told through a unique mix of black comedy, social commentary, and raw realism. Hooda’s portrayal is magnetic, and the rustic music and setting bring everything together beautifully.

3. Asuran (2019)

Director: Vetrimaaran
Cast: Dhanush, Manju Warrier
Running Time: 2 hours 20 minutes
IMDB – 8.4

Asuran is a raw, emotional, and hard-hitting social action drama set in rural Tamil Nadu. Inspired by real incidents, it tells the story of a lower-caste farmer who turns into a raging protector when his family is threatened by upper-caste landlords. Dhanush delivers an explosive dual-layered performance—as both a violent avenger and a calm, emotionally broken man trying to protect his sons from making the same mistakes he did.

This film is about oppression, survival, fatherhood, and justice, with powerful symbolism and searing realism. Directed by National Award-winner Vetrimaaran, it’s a cinematic experience you won’t forget. And yes—it’s not just a film, it’s a gut-punch of a story.

4. Chakravyuh (2012)

Director: Prakash Jha
Cast: Arjun Rampal, Abhay Deol, Manoj Bajpayee, Esha Gupta
Running Time: 2 hours 20 minutes
IMDB – 6.8

Chakravyuh is a sharp political action thriller that plunges into the heart of the Naxalite insurgency in India, portraying both sides of the conflict with surprising balance. The story revolves around two best friends—an honest cop and a radical idealist—who end up on opposite sides of a violent revolution. With compelling performances from Arjun Rampal and Abhay Deol, the film presents a layered narrative on systemic failure, inequality, and rebellion, rather than choosing a good-vs-evil template.

It stands out for being courageous and thought-provoking, refusing to dumb down a complex subject for mass appeal.

It doesn’t try to oversimplify who’s right or wrong—it forces you to think. If you’re tired of senseless action and looking for a real issue-based film with tension, soul, and substance, this is a must-watch.

5. Dharm (2007)

Director: Bhavna Talwar
Cast: Pankaj Kapur, Supriya Pathak, Hrishitaa Bhatt
Running Time: 1 hours 45 minutes
IMDB – 8.0

Dharm is a spiritual, emotional, and deeply relevant drama that revolves around a Brahmin priest in Varanasi, Pandit Chaturvedi (played by the incredible Pankaj Kapur), who strictly follows religious customs and rituals. His life takes a dramatic turn when a young child enters his family under mysterious circumstances—and later, they discover he is Muslim. What follows is a powerful inner conflict between tradition and humanity, between belief and love.

Set against the ghats of Varanasi, Dharm is a visually poetic film that questions religious boundaries and celebrates universal compassion. It was India’s official entry to the Cannes Film Festival and remains a forgotten masterpiece.

Dharm will remind you that faith without compassion is meaningless.

6. Table No. 21 (2013)

Director: Aditya Datt
Cast: Rajeev Khandelwal, Paresh Rawal, Tena Desae
Running Time: 1 hours 48 minutes
IMDB – 7.2

Table No. 21 starts like a vacation film but quickly turns into a chilling psychological thriller. A struggling married couple wins an all-expenses-paid trip to Fiji, where they are invited to play a mysterious game hosted by a strange yet charismatic man (Paresh Rawal). The rules seem simple—but as each level progresses, dark secrets unravel, and the game becomes a terrifying test of morality, guilt, and past sins.

Based on the idea that “what you do comes back to you,” the film is gripping, unpredictable, and hits hard with its social message on bullying and consequences. It’s a rare Bollywood film that shocks and teaches without screaming.

It pulls you into a dangerous moral maze, where every decision feels real and haunting. It’s bold, different, and makes you question your past. And Paresh Rawal? He’s at his absolute best. If you like films that make you think, shake, and reflect, this is one you shouldn’t skip.

7. Yahaan (2005)

Director: Shoojit Sircar
Cast: Jimmy Shergill, Minissha Lamba
Running Time: 2 hours 12 minutes
IMDB – 7.4

Yahaan is a quiet yet deeply moving love story set in the politically fragile and emotionally complex region of Kashmir. Directed by a then-debutant Shoojit Sircar, the film follows the love story between Captain Aman (Jimmy Shergill), an Indian Army officer, and Adaa (Minissha Lamba), a local Kashmiri girl whose brother is involved in militancy. The film explores the clash between duty and desire, military versus humanity, and what it means to find peace in a land defined by conflict.

What makes Yahaan stand out is its poetic cinematography, emotional depth, and a haunting soundtrack by Shantanu Moitra that blends beautifully with the story’s tone. It’s one of Bollywood’s most sensitive portrayals of Kashmir, far from the usual hyper-nationalism.

8. Aamir (2008)

Director: Raj Kumar Gupta
Cast: Rajeev Khandelwal
Running Time: 2 hours 14 minutes
IMDB – 7.6

Aamir is a tense, real-time thriller that explores what happens when an ordinary man is pushed into an extraordinary and terrifying situation. The story follows Dr. Aamir Ali, a London-returned Muslim man, who steps off a flight in Mumbai and is instantly pulled into a nightmare — kidnapped and manipulated by unknown men who task him with carrying out deadly instructions, all while they hold his family hostage.

With no background score, no songs, and a gritty on-the-ground feel, the film unfolds like a slow-burning fuse. Aamir is not just a thriller — it’s a sharp reflection of prejudice, profiling, and modern-day terrorism, wrapped in real urban chaos.

9. Dor (2006)

Director: Nagesh Kukunoor
Cast: Ayesha Takia, Gul Panag, Shreyas Talpade
Running Time: 1 hours 58 minutes
IMDB – 7.9

Dor is a tender, emotional tale of two women from entirely different backgrounds whose lives unexpectedly intertwine after a tragic incident. One is a traditional Rajasthani widow, grieving and bound by patriarchal customs; the other, a modern, independent woman living in Himachal Pradesh. The bond that develops between them is fragile, beautiful, and transformative.

Set against the backdrop of India’s stunning landscapes, Dor isn’t just about forgiveness—it’s about freedom, empathy, and rediscovering strength in pain. Ayesha Takia gives a career-best performance, and Gul Panag adds strength and authenticity to the narrative.

10. Paan Singh Tomar (2012)

Director: Tigmanshu Dhulia
Cast: Irrfan Khan, Mahie Gill, Vipin Sharma, Brijendra Kala
Running Time: 2 hours 15 minutes
IMDB – 8.2

Paan Singh Tomar is an extraordinary biopic based on the real-life story of an Indian Army subedar and national steeplechase champion who was forgotten by the country he ran for—and forced by injustice to become a rebel (Baaghi) in the Chambal ravines. The film tells a deeply emotional and brutally honest tale of neglect, betrayal, and survival, showcasing the heartbreaking irony of a national hero turning into an outlaw.

Tigmanshu Dhulia’s direction, combined with Irrfan Khan’s career-defining performance, delivers a hard-hitting commentary on how India treats its unsung heroes.

The final dialogue—“Baaghi dacoit hota hai, dacoit toh Parliament mein bante hain”—struck a chord and is remembered as one of the most powerful lines in recent Hindi cinema.

11. Aankhon Dekhi (2013)

Director: Rajat Kapoor
Cast: Sanjay Mishra, Seema Pahwa, Rajat Kapoor
Running Time: 1 hours 48 minutes
IMDB – 7.9

Aankhon Dekhi is a philosophical yet incredibly human story about a man named Bauji, played flawlessly by Sanjay Mishra, who decides to live only by what he can personally experience—what he can “see with his own eyes.” After an incident shakes his trust in hearsay and societal truths, Bauji gives up on assumptions and embraces a life of first-hand knowledge, no matter how absurd it may seem to others.

Set in the narrow lanes of Old Delhi, this is not your average movie—it’s a quiet, humorous, thoughtful journey about belief, freedom, family, and identity, packed with brilliant writing and soul-stirring moments.

12. A Wednesday (2008)

Director: Neeraj Pandey
Cast: Naseeruddin Shah, Anupam Kher, Jimmy Shergill, Aamir Bashir
Running Time: 1 hours 44 minutes
IMDB – 8.1

A Wednesday is a sharp, intelligent, and emotionally charged thriller that unfolds in real time. It revolves around an unnamed “common man” (played by Naseeruddin Shah) who calls the Mumbai Police Commissioner (Anupam Kher) to inform him about multiple bombs planted across the city. What follows is a ticking-clock situation that begins like a high-stakes negotiation but slowly turns into a powerful commentary on justice, helplessness, and the buried anger of ordinary citizens.

In just 100 minutes, without a single song or filler, Neeraj Pandey’s debut film becomes one of India’s most powerful social thrillers, and remains relevant even today.

These underrated Bollywood films may not have earned 100 crores, but they’ve earned something far more valuable — respect, emotional connection, and timeless relevance. If you’re tired of noisy blockbusters and want cinema that speaks to your heart and mind, this list is your perfect watchlist for 2025.

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Trending

5 Actors Who Could Possibly Play Babu Bhaiya in Phir Hera Pheri 3

There’s a lot of talk online about Phir Hera Pheri 3. And no, it’s not about the story, action or release date. It’s because Paresh Rawal, the actor who played the legendary Baburao Ganpatrao Apte, is not doing the film.

First, there was a report stating that he was not doing the film due to creative differences. Then, another report claimed that when the shoot began, there was no proper script, no clear idea about Baburao’s role, and no formal contract. As a result, he didn’t feel confident about the project and backed out. However, these are all reports—nothing has been officially confirmed yet. Later, Akshay Kumar’s production team sent him a legal notice of ₹25 crore, alleging that he left after accepting a signing amount of ₹11 lakh.

Rawal’s team says he gave the money back, with interest, and that there was never a written agreement. All of this has made things very messy.

If Paresh ji left Phir Hera Pheri 3 due to creative differences, he is not alone. Anurag Kashya left the bollywood industry due to creative stagnation

Fans Want Only One Babu Bhaiya

Let’s be honest — Babu Bhaiya is not just a character, he’s an emotion for fans. His funny voice, silly jokes, comic delivery timing and confused face made us laugh for years. Even today, Hera Pheri and Phir Hera Pheri are shown on TV almost every week. Kids, teenagers, and even older people share memes of Babu Bhaiya every single day.

Paresh Rawal’s acting was so natural that no one else has even tried to play Baburao again. It’s one of those rare roles in Bollywood where people say, “Only one man can do it.”

But now, with Rawal not in the film, the big question is — who can possibly play Babu Bhaiya?

Here Are 5 Actors Who Might Try Babu Bhaiya Role

1. Pankaj Tripathi

pankaj tripathi as baburao ganpatrao apte

Pankaj Tripathi is one of the best actors in India right now. He can do serious roles and funny roles with ease. He played a priest in Stree, a gangster in Mirzapur, and a father in Gunjan Saxena. He can easily bring a fresh version of Babu Bhaiya — someone real, simple, and funny.

2. Govinda

Govinda-as-Baburao-Ganpatrao-Apte

Govinda is a comedy legend. In the 90s, no one could match his funny expressions and dancing skills. If the makers want a louder and funnier version of Babu Bhaiya, Govinda could be a fun choice. He’s got the energy, the style, and the comic timing.

3. Boman Irani

Boman-Irani-as-Baburao-Ganpatrao-Apte

Boman Irani is smart, funny, and super talented. We’ve seen him in Munna Bhai MBBS, 3 Idiots, and Housefull. He knows how to make people laugh without trying too hard. He could play Babu Bhaiya in a new way — maybe as a more calm and clever version.

4. Nana Patekar


Nana-Patekar-as-Baburao-Ganpatrao-Apte.

Nana Patekar might seem like a serious actor, but remember him in Welcome? He was hilarious! He speaks in a different style and has a strong voice. If the makers want a slightly angry but funny Babu Bhaiya, Nana can do it in his own unique way.

5. Anupam Kher

Anupam-Kher-as-Baburao-Ganpatrao-Apte.

Anupam Kher has been doing films for over 30 years. He can do comedy, drama, and everything in between. He’s very natural on screen and could add his own charm to the role. If anyone can bring emotion and laughter together, it’s him.

Can Anyone Really Replace Paresh Rawal?

To be very honest — no. Babu Bhaiya and Paresh Rawal are like one person. You just can’t separate them. Even actors know this. No one has come forward and said, “I want to do this role.” That’s how much respect people have for Paresh Rawal’s work.

But if the movie has to be made and the makers want someone else, then the five actors above are the best choices we have. They are all talented, experienced, and loved by the audience.

Still, for most of us, there will only ever be one Babu BhaiyaParesh Rawal.

What’s our take on this 

Paresh Rawal’s exit from Hera Pheri 3 was a personal choice, not due to creative or financial disputes. He felt disconnected from the project and don’t want to destroy the legacy of Baburao Apte. He even returned the signing amount with interest, showing responsibility. However, Akshay Kumar’s production house claims his sudden exit caused Rs 25 crore in losses, leading to a legal notice. Director Priyadarshan and Suniel Shetty were shocked, citing prior filming and contracts. Both sides have valid points: Rawal’s right to choose versus the project’s disruption. The issue is under legal review, and the film’s future is uncertain.

Share your thoughts, how do you view this matter?

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Celebrities

Mouni Roy: From TV Star to Bollywood Icon – Her Journey Unveiled

Name: Mouni Roy
Profession: Actress, Model
Born: September 28, 1985, in Cooch Behar, West Bengal, India
Nationality: Indian
Known for: Naagin, Devon Ke Dev…Mahadev, Gold, Brahmāstra: Part One – Shiva

Biography:

Mouni Roy, born to Anil Roy, a superintendent in the Cooch Behar Zilla Parishad, and Mukti Roy, a theatre artist, developed an early interest in the arts, particularly in acting and dancing. 

She completed her schooling at Kendriya Vidyalaya in Baburhat, Cooch Behar, and pursued higher education in English Honors at Miranda House, University of Delhi. Subsequently, she enrolled in a Mass Communication course at Jamia Millia Islamia but left midway to pursue a career in acting. ​

Roy’s acting journey commenced in 2006 with the television series Kyunki Saas Bhi Kabhi Bahu Thi, where she portrayed Krishna Tulsi. 

Her performance garnered attention, leading to significant roles such as Sati in Devon Ke Dev…Mahadev and the lead in the Naagin series, where she played Shivanya and later Shivangi. Her portrayal in Naagin was particularly acclaimed, establishing her as a household name in Indian television. 

Transitioning to the silver screen, Roy made her Bollywood debut with the 2018 film Gold, starring alongside Akshay Kumar. Her role as Monobina Das was well-received, earning her a Filmfare Award nomination for Best Female Debut. 

She continued to diversify her filmography with appearances in movies like Romeo Akbar Walter (2019) and Made in China (2019). In 2022, she portrayed the antagonist Junoon in Brahmāstra: Part One – Shiva, a performance that earned her the IIFA Award for Best Supporting Actress. ​

Awards and Accolades:

  • IIFA Award for Best Supporting Actress for Brahmāstra: Part One – Shiva (2023).
  • Gold Award for Best Actress for Naagin (2016). ​
  • Filmfare Award nomination for Best Female Debut for Gold (2018). ​

Interesting Facts:

  • Roy is a trained Kathak dancer, showcasing her versatility in performing arts. 
  • She has a deep passion for reading and often shares her literary interests with fans.
  • Beyond acting, Roy has ventured into entrepreneurship, co-founding the education platform “Ultimate Gurus.”

Social Media:

Instagram: @imouniroy

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Celebrities

Shahana Goswami: From Bollywood to Global Stardom

Name: Shahana Goswami

Profession: Actress, primarily working in Indian film, television, and theater.

Born: May 6, 1986 in New Delhi, Delhi, India

Nationality: Indian

Known for: Santosh, Rock On!!, Midnight’s Children, Heroine, Vara: A Blessing, Zwigato

Biography

Shahana Goswami was born on May 6, 1986, in New Delhi, India, into a pretty brainy family. Her dad, Omkar Goswami, is a well-known economist and writer, and her mom, Anomita Goswami, works as an editorial consultant. She’s got an elder brother too, who’s a physicist—smart genes clearly run in the family! Growing up, Shahana was a total go-getter. She went to Sardar Patel Vidyalaya in Delhi, where she wasn’t just a bookworm—she was the house captain and a sports champ. She even snagged second place in a National Artificial Wall Climbing Competition and played everything from athletics to badminton, basketball, and volleyball at the zonal level. Oh, and she’s a trained Odissi dancer too—10 years under Guru Padmashri Kiran Segal, performing with her troupe all over. Talk about a multi-talented kid!

After school, Shahana moved to Mumbai to study at Sophia College, but her heart was set on acting from way back. She didn’t waste time—right after graduating, she dove into Mumbai’s theater scene. She started with Jaimini Pathak’s group, Working Title, first as a production assistant, then acting in plays like Seagull and Arabian Nights. That’s where things kicked off. Through her theater buddies, she met talent consultant Shaanu Sharma, who got her an audition for Naseeruddin Shah’s directorial debut, Yun Hota Toh Kya Hota (2006). She landed a small role, and boom—her film journey began.

shahanagoswami after winning the Best Actress for Santosh at asianfilmawardsacademy
Shahana Goswami after winning the Best Actress for Santosh at asianfilmawardsacademy

Shahana’s big break came in 2008 with Rock On!!, where she played Debbie, the fiery wife of Arjun Rampal’s character. She won the Filmfare Critics Award for Best Actress—pretty huge for a supporting part—and suddenly, everyone knew her name. Around the same time, she did Ru Ba Ru (2008) with Randeep Hooda, a lead role she shot while still in college, starting with scenes in Bangkok. She also popped up in Honeymoon Travels Pvt. Ltd. (2007) as Boman Irani’s daughter—a gig she stumbled into while visiting a production house.

From there, Shahana’s career took off. She starred in Firaaq (2008), earning a Filmfare Best Supporting Actress nomination, and kept the momentum going with films like Ra.One (2011), Heroine (2012), and Midnight’s Children (2012), Deepa Mehta’s take on Salman Rushdie’s novel. That last one was her first international gig, and she didn’t stop there—she played the lead in Vara: A Blessing (2013), shot in Sri Lanka, and won an Asian Award for Best Actress. She’s got a knack for picking roles with depth, like in Tu Hai Mera Sunday (2016) or Zwigato (2022) with Kapil Sharma, where she played a wife navigating life’s struggles.

Shahana’s not just a movie star—she’s done TV too. You might’ve caught her in A Suitable Boy (2020) on BBC One, or web series like Bombay Begums (2021), The Last Hour (2021), and Hush Hush (2022). Her latest big win? Santosh (2024), where she plays a widow-turned-cop in rural India. It premiered at Cannes, got her another Best Actress award at the Asian Film Awards, and even made the Oscar shortlist for the UK. But here’s the kicker—it’s blocked in India by the censor board. Still, she’s out there shining.

On the personal side, Shahana’s lived a bit of a global life. She moved to Paris in 2015 to explore new opportunities, worked at an Italian restaurant, and dated its owner, Mauro Gazzi, for a while. They split when she returned to India in 2020. Now, she’s based back here, still chasing her passion. She’s 5’3”, loves trekking (started at age 6 with her dad!), and speaks Hindi, English, Bengali, and French. Oh, and she’s a Taurus—determined and grounded, which totally fits her vibe.

Shahana’s journey is all about grit and heart. From theater stages to international screens, she’s built a career that’s real and inspiring.

Categories
Movies Upcoming Movies

Upcoming Bollywood movies in April

April 2025 promises an exciting lineup of Bollywood films, showcasing a diverse mix of genres from action-packed thrillers to historical dramas and horror-comedies. With major stars like Sunny Deol, Akshay Kumar, Sanjay Dutt, and Saif Ali Khan leading the charge, the month offers something for every cinephile. Here’s a thrilling lineup of upcoming Bollywood films releasing this month.

1. Jaat (April 10, 2025)

  • Director: Gopichand Malineni
  • Cast: Sunny Deol, Randeep Hooda, Vineet Kumar Singh, Saiyami Kher, Regina Cassandra
  • Genre: Action, Drama

Plot

Jaat is an intense action thriller marking Gopichand Malineni’s Bollywood debut. The story centers on a fearless and upright police officer, played by Sunny Deol, who is known for his brute strength and unwavering sense of justice—echoing his iconic “dhai kilo ka haath” persona. Set in a gritty, crime-ridden landscape, possibly with a South Indian influence given the director’s background, the officer takes on a formidable criminal empire led by Ranatunga, a ruthless and cunning antagonist portrayed by Randeep Hooda. Ranatunga is a mastermind who controls a network of illegal activities, from smuggling to extortion, and has evaded justice for years.

The plot kicks off when a personal tragedy—potentially the murder of a loved one or an attack on his community—forces Deol’s character to confront this nemesis head-on. As the officer digs deeper, he uncovers corruption within the system, testing his loyalty and resolve. The narrative builds toward a high-stakes showdown, blending visceral action sequences with emotional depth, as Deol’s character fights not just for law and order but for redemption. Supporting characters, including Saiyami Kher as a possible ally or love interest and Vineet Kumar Singh as a loyal subordinate, add layers to the conflict, while Regina Cassandra’s role might tie into the antagonist’s world, creating a web of intrigue and betrayal.

2. Phule (April 11, 2025)

Plot

Phule is a biographical drama that chronicles the inspiring lives of Mahatma Jyotirao Phule and his wife, Savitribai Phule, 19th-century social reformers in Maharashtra. Pratik Gandhi stars as Jyotirao, a visionary who defied societal norms to champion education for women and the marginalized, while Patralekhaa plays Savitribai, his steadfast partner who became India’s first female teacher. 

The story begins with Jyotirao’s early life, shaped by his exposure to the injustices of the caste system and the oppression of women in a rigid, patriarchal society. A pivotal moment occurs when he witnesses the plight of a young widow or a lower-caste girl denied basic rights, igniting his resolve to challenge the status quo. The couple’s journey unfolds as they establish the first school for girls in 1848, facing fierce opposition from orthodox Brahmins and upper-caste elites who view their actions as a threat to tradition. The plot delves into their personal sacrifices—enduring social ostracism, threats, and financial hardship—while highlighting key milestones, such as Savitribai’s efforts to educate child widows and their advocacy against untouchability. The film balances historical authenticity with emotional resonance, portraying their love and partnership as the backbone of their revolutionary work, culminating in a legacy that reshapes Indian society.

3. Kesari Chapter 2 (April 18, 2025)

  • Director: Karan Singh Tyagi
  • Cast: Akshay Kumar, R. Madhavan, Ananya Panday
  • Genre: Historical Action Drama

Plot

Kesari Chapter 2 shifts focus from the 1897 Battle of Saragarhi (depicted in the original Kesari) to the aftermath of the Jallianwala Bagh massacre of 1919, offering a fresh historical narrative. Akshay Kumar plays Sir Chettur Sankaran Nair, a prominent lawyer and former president of the Indian National Congress, who takes on the British Empire in a landmark legal battle. 

The story opens with the horrific massacre in Amritsar, where British troops under General Dyer fire on an unarmed crowd, killing hundreds. Nair, a man of principle and intellect, is outraged by the cover-up that follows, including the British government’s refusal to acknowledge the scale of the atrocity. The plot follows his investigation into the event, aided by a young and idealistic Ananya Panday, possibly as a journalist or his protégée, and R. Madhavan, who might portray a fellow patriot or a conflicted British official. Nair’s pursuit of justice leads him to author The Case That Shook The Empire, exposing the brutalities of colonial rule and challenging Dyer’s actions in court. The film blends courtroom drama with flashbacks to the massacre, showcasing Nair’s courage against overwhelming odds, as he faces threats from the Raj and betrayal from within his own ranks. It’s a tale of resilience and sacrifice, culminating in a bittersweet victory that fuels India’s freedom struggle.

4. The Bhootnii (April 18, 2025)

  • Director: Sidhaant Sachdev
  • Cast: Sanjay Dutt, Sunny Singh, Mouni Roy, Palak Tiwari, Beyounick
  • Genre: Horror-Comedy

Plot

The Bhootnii is a horror-comedy that promises a rollercoaster of laughs and scares. Sanjay Dutt plays a quirky ghostbuster, a seasoned expert in the supernatural with a larger-than-life personality, who is called to a small town plagued by eerie occurrences. The trouble begins when Sunny Singh’s character, a bumbling everyman—perhaps a local shopkeeper or a reluctant hero—accidentally unleashes a mischievous spirit, portrayed by Mouni Roy as the titular “Bhootnii.” 

This ghost is no ordinary specter; she’s a glamorous yet vengeful entity with a backstory tied to a tragic love affair or betrayal from centuries past, now haunting the living with pranks and chaos. As Dutt’s ghostbuster teams up with Singh’s character, their odd-couple dynamic drives the humor, with Dutt’s over-the-top methods clashing with Singh’s timid skepticism. Palak Tiwari might play a love interest or a key figure linked to the ghost’s past, while Beyounick adds to the ensemble as a comedic sidekick. The plot escalates as the Bhootnii’s antics turn dangerous, forcing the team to unravel her history to put her to rest. Expect slapstick chases, spooky set pieces, and a resolution that blends heartfelt redemption with a final ghostly twist.

5. Ground Zero (April 25, 2025)

  • Director: Tejas Deoskar
  • Cast: Emraan Hashmi, Sai Tamhankar, Zoya Hussain, Mukesh Tiwari
  • Genre: Action Thriller

Plot

Ground Zero is a gritty action thriller inspired by real events, with Emraan Hashmi as BSF Deputy Commandant Narendra Nath Dubey. The story is set against the backdrop of the 2001 Indian Parliament attack, a national security crisis that shakes the country. Dubey, a battle-hardened officer stationed in Kashmir, is thrust into a high-stakes mission after intelligence reveals a terrorist mastermind plotting further strikes.

The plot follows his two-year odyssey to dismantle the enemy’s network, beginning with a tense ambush in the snowy mountains where his unit suffers heavy losses. Driven by duty and a personal vendetta—perhaps the death of a comrade or family member—Dubey goes undercover, infiltrating a web of militants and corrupt officials. The narrative weaves strategic warfare with raw emotion, as he navigates double-crosses and near-death encounters, including a climactic showdown in a terrorist stronghold. Hashmi’s character is portrayed as a flawed yet relentless hero, battling both external threats and his own demons, with the film highlighting the BSF’s unsung heroism in one of its most significant operations. The resolution ties the mission’s success to its lasting impact on India’s security landscape.

6. Jewel Thief: The Heist Begins (April 25, 2025 – Netflix)

  • Director: Not widely specified (likely Kookie Gulati or Robbie Grewal per some sources)
  • Cast: Saif Ali Khan, Jaideep Ahlawat, Kunal Kapoor, Nikita Dutta
  • Genre: Heist Thriller,  Crime Movies, Action & Adventure Movies

Plot

Jewel Thief: The Heist Begins is a slick, high-octane thriller streaming on Netflix. Saif Ali Khan stars as a suave and charismatic conman, a master thief with a knack for outsmarting his foes, tasked with stealing the African Red Sun, the world’s rarest diamond.

The story kicks off with a mysterious client hiring him for the job, setting him on a collision course with Jaideep Ahlawat’s character, a ruthless mafia boss who owns the gem and guards it with an iron fist. The heist unfolds across exotic locales—Budapest, Istanbul, and Mumbai—where Khan assembles a crew, including Kunal Kapoor as a tech-savvy ally and Nikita Dutta as a femme fatale with her own agenda. The plan is meticulous: infiltrate a heavily fortified vault during a lavish gala, using disguises, gadgets, and split-second timing. But as the heist begins, alliances unravel—Dutta’s character might double-cross the team, and Ahlawat’s mafia lord unleashes a deadly counterattack. The plot twists through a game of cat-and-mouse, with Khan’s thief relying on wit and improvisation to stay ahead. The climax delivers a nail-biting escape, a betrayal-fueled showdown, and a final reveal about the diamond’s true significance, leaving room for a potential sequel.

Drop down your comments: which movie do you think is gonna shine and do well?

Categories
Bollywood Movie Reviews Reviews

Even Bhai Couldn’t Save the Sikandar Film!

Alright, folks, buckle up because I just watched Sikandar, and I’ve got some thoughts—personal, funny, and maybe a little savage. This isn’t your typical “Oh, Salman Bhai rocked it” review. Nah, this is me, your buddy, spilling the tea after surviving two and a half hours of this rollercoaster that forgot where the brakes are.

Sikandar review: Salman Is Doing the Same Old Stuff Again

So, growing up, we were told, “Sleep, or Gabbar will come!” But now? It’s more like, “Sleep, or you’ll end up booking a ticket for Sikandar.” I mean, I saw this movie, and calling it a “film” feels like an insult to the word itself. It’s more like a TV serial that accidentally got a big screen—except even TV serials would blush at this mess. When I heard “Sikandar” and “Salman Khan” together, I thought, “Perfect casting, this is gonna slap!” Oh, how wrong I was. It’s like expecting a gourmet biryani and getting a plate of soggy khichdi instead.

Taran Adarsh tweet for Sikandar

Let’s start with the good stuff—because there’s, like, five minutes of it. Salman’s entry? Pure fire. Picture this: a plane, some bone-crunching action, a villain getting built up like he’s the next Thanos, and that Sikandar title track blasting in the background. I was ready to whistle, clap, and throw my popcorn in the air. Bhai walks in, bracelet shining like it’s got its own fanbase (which it does), and I’m like, “Box office is toast!” But then… the movie happens. It’s like someone took that epic intro, threw it in a blender with a bad script, and hit puree.

The story? Oh boy. They call Salman’s character “Raja Sahab”—fancy name, right? Sounds like he’s got money, power, and a kingdom. But nah, he’s just breaking bones and twisting fingers for… reasons? There’s a minister 700 km away who wants him dead, 49 police cases against him, and a love story with Rashmika Mandanna that’s so flat, even she looks confused about why she’s there. Rashmika’s character is like that friend who shows up to a party for five minutes and leaves—barely there, and honestly, good for her. The plot tries to mix action, romance, revenge, and some “family audience” vibes, but it’s a khichdi that falls straight into a ditch.

And the villains? Don’t get me started. There’s no real bad guy! You go in expecting Salman to smash some goons and crack their skulls, but nope. The “villains” are just cameos who forgot they were supposed to scare us. Katappa from Baahubali would stab himself after watching this. The real villain? The director. This guy had an idea, ran with it, and tripped over every possible pothole—bad editing, worse writing, and songs popping up like ads on a free app. The editing is so choppy, you’ll forget what happened two scenes ago, and the songs? Decent tunes, sure, but they’re shoved in at the worst times—like someone yelling “Dance break!” during a funeral.

This post is circulating all over social media

Salman, oh Salman. Bhai, I love you, but what’s with the slow-motion dialogues? A three-word line takes three minutes. I timed it—25 dialogues, 75 minutes of just him talking like a sloth. It’s like he’s hosting Bigg Boss in slow-mo. The action scenes are cool, though—shoutout to AR Murugadoss for that. The punches land, the colors pop, and Salman looks like the king he is. But why is Raja Sahab fighting like a WWE wrestler with no backstory? And that “social message” they tried to sneak in? It’s so forced, I wanted to start doing the opposite of whatever they were preaching.

The biggest crime? Wasting Salman Khan. This man’s screen presence is gold, but the script turns him into a cardboard cutout. There’s a tragedy angle that’s supposed to make you cry, but I laughed instead—sorry, not sorry. The climax? There isn’t one. I’m serious. It just… ends. Like they ran out of ideas and said, “Eid release, people will come anyway.” Well, guess what? Even free tickets won’t save this next time.

Who’d Love Sikandar?

  • Die-hard Salman fans: If you’re the type who’d cheer for Bhai even if he’s reading the phonebook, this is your jam. The entry, the bracelet, the slo-mo swagger—it’s peak fan service.
  • Action junkies: If you don’t care about story and just want colorful punches and kicks, you might survive this.
  • People who love chaos: If you enjoy watching a train wreck in slow motion, grab some popcorn—this is your vibe.

Aslo Read: Why Anurag Kashyap left Bollywood

For everyone else? Save your money, rewatch Wanted or Dabangg, and pray Bhai picks better scripts next time. Sikandar gets a 1.5/5 from me—half a star for the title track and Salman’s intro, and the rest is just me being generous. Love you, Bhai, but this was a swing and a miss. Take care, come back stronger!

Categories
Movies

As Long as There’s Cinema in India, People Will Keep Getting Fooled

Movies are like magic mirrors—they show us stories, dreams, and sometimes even ourselves. A good film can lift your spirit, make you laugh, or push you to chase your goals. Think about it: when Chak De! India hit theaters in 2007, kids suddenly wanted to grab hockey sticks and score goals. Hockey got a big cheer in India, with more people talking about it and playing it. Then came Bhaag Milkha Bhaag in 2013, and suddenly everyone was jogging, dreaming of Olympic medals, or at least pretending to be Milkha Singh while running to the grocery store. That’s the bright side of cinema—it inspires, it motivates, it makes you feel like you can do anything.

Image taken from Mid Day

But here’s the twist: not every movie leaves you with a warm, fuzzy feeling. In Gangs of Wasseypur, Ramadhir Singh (played by the brilliant Tigmanshu Dhulia) drops a truth bomb: “Jab tak Hindustan mein cinema hai, log chut*ye bante rahenge” (As long as there’s cinema in India, people will keep getting fooled). He wasn’t wrong. Today, some movies don’t just entertain—they push agendas, stir trouble, and turn fans into chaos agents. Let’s dive into how films like Chhaava, The Kashmir Files, The Kerala Story, Kabir Singh, and Animal have made people act in ways that prove Ramadhir’s point.

The Kashmir Files

When The Kashmir Files came out in 2022, it promised to tell the story of the Kashmiri Pandit exodus. Fair enough—history deserves a voice. But the way it was told? It was like handing a megaphone to anger. People didn’t just watch it; they reacted. Posts on X show how screenings turned into shouting matches, with some folks chanting slogans against Muslims right outside theaters. In some towns, it wasn’t just words—tensions flared into fights. The film’s heavy-handed Hindu nationalist vibe didn’t just inform; it inflamed. Politicians loved it, calling it “truth unveiled,” while others called it propaganda on steroids. Either way, it proved cinema can make people lose their cool faster than a power cut in summer.

This guy is inciting the mob after watching Kashmir Files

The Kerala Story

Then there’s The Kerala Story (2023), a movie about women being lured into terrorism. Sounds serious, right? But it painted Kerala—a state known for beaches and backwaters—as a terrorist factory, mostly targeting Muslims. After watching it, some people didn’t just nod and move on. In Akola, Maharashtra, riots broke out in 2023, with one person killed and eight injured, all linked to the film’s release. X posts from that time show folks arguing, “This is reality!” while others screamed, “This is lies!” Instead of sparking debate, it sparked violence. Ramadhir Singh would’ve smirked and said, “Told you so.”

Chhaava

Fast forward to Chhaava (released in late 2024), a film about Maratha warrior Sambhaji. History buffs might’ve cheered, but it turned into a free-for-all. In Nagpur, just this year (2025), violence erupted after the movie hit screens—33 police officers got injured trying to calm a mob. X posts reveal how some fans took the film’s “Hindu pride” angle and ran with it, literally—chasing down anyone who disagreed. Others started digging (figuratively and maybe literally) for “Aurangzeb’s hidden loot,” missing the point entirely. It’s like watching a superhero movie and then jumping off your roof thinking you can fly. Cinema: 1, Common Sense: 0.

Kabir Singh

Slapping justified by the Director itself

Now, let’s talk Kabir Singh (2019). Shahid Kapoor played a doctor so toxic he made hand sanitizer look friendly. He slaps his girlfriend, screams at the world, and somehow becomes a “hero.” After the movie, some guys thought this was a love manual. X posts from back then show dudes bragging, “I’m a Kabir Singh type—girls love it!” Spoiler: they don’t. Reports popped up of guys mimicking his anger, picking fights, or harassing women, thinking it’s “alpha.” The film made over ₹370 crore, but it also made toxic masculinity a trend. Ramadhir would’ve rolled his eyes and muttered, “chut*ye ban gaye.”

Animal Fever

And then there’s Animal (2023), where Ranbir Kapoor goes full beast mode—violence, revenge, and more violence. It raked in ₹900 crore, but critics like Javed Akhtar called it “dangerous for society.” Fans didn’t just clap—they copied. X posts from 2024 show guys posting shirtless pics with captions like “Unleashing my inner Animal,” while others got into brawls, claiming the film “inspired” them. One viral video even showed a dude smashing a bottle in a bar, yelling, “This is for Animal!” Bro, it’s a movie, not a life coach. Cinema turned them into wannabe gangsters, and Ramadhir’s dialogue echoed louder than ever.

The Dark Side of the Screen

What’s going on here? These films aren’t just stories anymore—they’re weapons. Directors with agendas, backed by powerful politicians, are cooking up movies that don’t just entertain but divide. The Kashmir Files and The Kerala Story push Hindu-Muslim tension buttons. Chhaava turns history into a war cry. Kabir Singh and Animal sell toxicity as “cool.” And people? They’re eating it up like free popcorn, then running out to start trouble. It’s not all of them, sure—most just watch and go home. But the loud ones? They’re proving Ramadhir Singh right every day.

Compare that to the old days. Chak De! made us cheer for teamwork. Bhaag Milkha Bhaag had us lacing up our shoes. Even Dangal (2016) got girls into wrestling rings. Those films built something—pride, hope, action. Today’s agenda-driven flicks? They’re tearing stuff down, one riot or slap at a time. Maybe it’s the directors forcing their beliefs, or politicians fanning the flames for votes. Either way, the audience isn’t just watching—they’re reacting, and not always in a good way.

Are We Really Getting Fooled by Cinema?

Let’s pause for a chuckle. Imagine Ramadhir Singh watching this chaos from his rocking chair, sipping chai, and saying, “Saala, maine bola tha na? Cinema hai, toh chutiyapa hoga.” He’d probably look at Animal fans breaking bottles and mutter, “Inko Oscar nahi, akal chahiye.” The man saw it coming—cinema’s power to fool us is stronger than a Bollywood hero’s six-pack.

Time to Wake Up?

So, what’s the fix? Maybe we need more films that lift us up, not drag us into the gutter. Maybe we need to watch with our brains, not just our hearts. Cinema can change you—it can make you a hockey champ or a history nerd. But it can also turn you into a shouting, slapping, riot-starting mess. Ramadhir Singh’s words still ring true in 2025, louder than ever. Next time you’re in a theater, ask yourself: “Am I getting inspired, or am I getting fooled?” Because as long as there’s cinema in Hindustan, well, you know the rest. Let’s not be the chut*ye he warned us about, okay?

Categories
Celebrities

Athiya Shetty’s Bollywood Journey: Films, Fame & Style Influence

Name: Athiya Shetty

Profession: Actress

Born: November 5, 1992, in Mumbai, India

Nationality: Indian

Known For: Her roles in “Hero” (2015), “Mubarakan” (2017), “Motichoor Chaknacoor” (2019), and “Go Noni Go” (2024)

Athiya Shetty is the daughter of veteran actor Suniel Shetty and Mana Shetty, with a younger brother, Ahan Shetty, who is also an actor. Her upbringing in Mumbai, attending the American School of Bombay, and later studying at the New York Film Academy, reflect her early inclination towards acting, inspired notably by Aishwarya Rai’s performances.

Career Trajectory

Athiya’s entry into Bollywood was marked by her debut in “Hero” (2015), a remake of the 1983 classic, directed by Nikhil Advani and produced by Salman Khan, co-starring Sooraj Pancholi. The film, while receiving mixed reviews, highlighted her potential, earning her a nomination for the Filmfare Award for Best Female Debut. 

She also secured the Stardust Award for Best Jodi of The Year with Pancholi and the Vogue Beauty Award for Fresh Face in 2015, underscoring her early impact.

Subsequent roles in “Mubarakan” (2017), a romantic comedy with Anil Kapoor and Arjun Kapoor, and “Motichoor Chaknachoor” (2019) with Nawazuddin Siddiqui, further showcased her versatility. In 2024, she appeared in “Go Noni Go,” a romantic comedy based on Twinkle Khanna’s short story, premiered at the MAMI Mumbai Film Festival. 

Beyond acting, she has been a brand ambassador for Maybelline New York and featured on covers of magazines like Cosmopolitan, Verve, and Harper’s Bazaar, enhancing her status as a fashion influencer.

Awards and Recognitions

Athiya’s accolades include:

  • Nominated for Filmfare Award for Best Female Debut for “Hero” (2015)
  • Won Stardust Award for Best Jodi of The Year with Sooraj Pancholi for “Hero” (2015)
  • Won Vogue Beauty Award for Fresh Face (2015)

These awards, particularly from Stardust and Vogue, reflect her early promise and industry recognition, though her Filmfare nomination did not result in a win, with Kriti Sanon taking the award for “Heropanti” (Filmfare Awards 2015 Winners).

Personal Life and Milestones

Athiya’s personal life gained significant attention with her marriage to Indian cricketer KL Rahul in January 2023, held at her father’s Khandala farmhouse. 

The couple, who had been dating since around 2019, announced in 2024 that they are expecting their first child in 2025, a milestone shared via a joint Instagram post. This development has kept her in the public eye, blending her Bollywood persona with cricket fandom.

Interesting Facts and Anecdotes

Athiya’s journey is enriched by several lesser-known facts:

  • Before fame, Athiya worked as a waitress and architect in New York, adding an unexpected layer to her journey from varied professions to Bollywood stardom.
  • She is a trained dancer in Kathak and other forms, having studied at Remo’s dance academy in Mumbai.
  • Athiya owns a pet pug named Squish and has a tattoo of angel wings on her right wrist, reflecting personal interests.
  • She is superstitious and an admirer of Sai Baba, adding a cultural dimension to her public persona.

Social Media Presence

Athiya maintains an active presence on Instagram at @athiyashetty, where she shares fashion updates, personal moments, and professional highlights. 

Cultural and Industry Impact

Athiya’s career, though relatively concise with four major films, has positioned her as a rising star in Bollywood, particularly as part of the new generation of celebrity offspring. 

Her marriage to KL Rahul and impending motherhood in 2025 further bridge the worlds of cinema and cricket, enhancing her visibility. Her fashion choices, often showcased on Instagram, have made her a style icon, resonating with younger audiences.