When sardars bring laughter to Scotland, expect kilts to meet turbans in a whirlwind of chaos. Ajay Devgn’s return as Jassi in “Son of Sardaar 2” mixes Punjabi humor with cross-border romance, serving audiences a cultural cocktail that’s both familiar and fresh.
This standalone sequel, releasing on August 1, 2025, promises to deliver twice the fun of its predecessor with a new setting and fresh faces.
Jassi Singh Randhawa, our favorite sardaar, finds himself in the misty landscapes of Scotland on a mission to reconcile with his estranged wife Dimple. His simple plan quickly derails when she unexpectedly asks for a divorce, leaving him heartbroken and homeless in a foreign land.
Jassi’s life takes another turn when he meets Rabia, a Pakistani performer with a fiery personality, and becomes her paying guest.
What starts as a temporary living arrangement soon evolves into something more complicated when Jassi agrees to pose as a decorated Indian Army colonel. He takes on this fake identity to help Rabia’s younger sister Saba, who wishes to marry into a wealthy Sikh family headed by the hypernationalist Raja.
The cultural clash between the families sets the stage for numerous comedic situations and misunderstandings.
Directed by Vijay Kumar Arora, the film cleverly uses the Indo-Pak rivalry as a backdrop for its humor rather than focusing on heavy political themes. The screenplay, written by Jagdeep Singh Sidhu and Mohit Jain, balances slapstick comedy with moments of genuine emotion. While some jokes fall flat, the overall rhythm of the narrative keeps viewers engaged.
Ajay Devgn slips back into Jassi’s character with the ease of someone wearing a favorite pair of jeans. His comic timing remains sharp as he juggles Punjabi one-liners with physical comedy, proving once again why he’s considered one of Bollywood’s most versatile actors.
His portrayal of Jassi feels both familiar to fans of the original film and accessible to new viewers experiencing the character for the first time.
Mrunal Thakur as Rabia brings a refreshing energy to the film, holding her own in scenes with the more experienced Devgn. Their chemistry works surprisingly well despite the age gap, with their verbal sparring matches providing some of the film’s most entertaining moments. The romantic subplot between them develops naturally without feeling forced or rushed.
The supporting cast adds considerable value to the film, with standout performances from Ravi Kishan and Deepak Dobriyal. Kishan’s portrayal of Raja, the Pakistan-hating Sikh patriarch, strikes the perfect balance between menace and comedy.
Dobriyal steals nearly every scene as Gul, a transgender character whose sharp wit and emotional depth make her much more than comic relief.
Sanjay Mishra, Kubbra Sait, and Roshni Walia round out the ensemble, each bringing their unique comedic sensibilities to their roles. The late Mukul Dev, in what became his final film appearance following his passing in May 2025, delivers a poignant performance that serves as a fitting farewell to his career.
The film’s visual palette deserves special mention, with cinematographer Aseem Bajaj capturing both the vibrant colors of Punjabi celebrations and the moody landscapes of Scotland.
The contrast between these settings creates a visual dynamism that complements the cultural clash at the heart of the story. Each frame feels meticulously composed without being too stylized.
The musical score, featuring recreated versions of songs from the original film like “The Po Po Song,” adds to the nostalgic appeal while introducing new tracks. Guru Randhawa lends his voice to one of the catchier numbers, though none of the songs reach the earworm status of the original film’s soundtrack.
Where the film struggles somewhat is in its pacing, particularly during the middle section when the wedding preparations begin. Several scenes feel stretched to accommodate additional jokes, resulting in moments where the narrative momentum slows considerably.
Some of the comedy relies too heavily on cultural stereotypes that feel outdated in 2025, though the film generally manages to laugh with its characters rather than at them.
Despite these minor issues, the film finds its footing in the final act, delivering a satisfying conclusion that ties together the various subplots. The themes of reconciliation and looking beyond cultural differences come through clearly without feeling preachy. The resolution manages to be heartwarming without sacrificing the comedic tone that defines the film.
The success of “Son of Sardaar 2” lies in its understanding of what made the original work while being willing to evolve the formula. It doesn’t simply rehash the same jokes and situations but uses the established character of Jassi to explore new comedic territory.
The Scotland setting provides fresh opportunities for fish-out-of-water humor without feeling like a gimmick.
The film also benefits from its willingness to tackle cross-border relations with a light touch. By focusing on the similarities between Indian and Pakistani Punjabis rather than their differences, it offers a subtle message of unity without derailing the comedy.
These moments of cultural connection provide some of the film’s warmest and most genuine laughs.
Production values remain high throughout, with detailed set design and authentic costumes contributing to the immersive experience. The wedding sequences in particular showcase the vibrant aesthetics of Punjabi celebrations, with elaborate decorations and colorful attire creating a feast for the eyes.
As a standalone sequel, “Son of Sardaar 2” succeeds in honoring its predecessor while charting its own course. It delivers the laughs and entertainment that audiences expect from an Ajay Devgn comedy while offering enough fresh elements to justify its existence.
Though it may not revolutionize the genre, it accomplishes what it sets out to do – provide two hours of escapist fun with heart and humor.
