Movies are like magic mirrors—they show us stories, dreams, and sometimes even ourselves. A good film can lift your spirit, make you laugh, or push you to chase your goals. Think about it: when Chak De! India hit theaters in 2007, kids suddenly wanted to grab hockey sticks and score goals. Hockey got a big cheer in India, with more people talking about it and playing it. Then came Bhaag Milkha Bhaag in 2013, and suddenly everyone was jogging, dreaming of Olympic medals, or at least pretending to be Milkha Singh while running to the grocery store. That’s the bright side of cinema—it inspires, it motivates, it makes you feel like you can do anything.

But here’s the twist: not every movie leaves you with a warm, fuzzy feeling. In Gangs of Wasseypur, Ramadhir Singh (played by the brilliant Tigmanshu Dhulia) drops a truth bomb: “Jab tak Hindustan mein cinema hai, log chut*ye bante rahenge” (As long as there’s cinema in India, people will keep getting fooled). He wasn’t wrong. Today, some movies don’t just entertain—they push agendas, stir trouble, and turn fans into chaos agents. Let’s dive into how films like Chhaava, The Kashmir Files, The Kerala Story, Kabir Singh, and Animal have made people act in ways that prove Ramadhir’s point.
The Kashmir Files
Indian Airforce's Squadron leader Ravi Khanna’s wife approached court, she claims the movie 'Kashmir Files' is not based on true facts. It is clearly evident that the whole movie is being portrayed as targeted one-sided view of the incident. But, the world knows the reality! pic.twitter.com/tQfGZUEq1Z
— Salman Nizami (@SalmanNizami_) March 11, 2022
When The Kashmir Files came out in 2022, it promised to tell the story of the Kashmiri Pandit exodus. Fair enough—history deserves a voice. But the way it was told? It was like handing a megaphone to anger. People didn’t just watch it; they reacted. Posts on X show how screenings turned into shouting matches, with some folks chanting slogans against Muslims right outside theaters. In some towns, it wasn’t just words—tensions flared into fights. The film’s heavy-handed Hindu nationalist vibe didn’t just inform; it inflamed. Politicians loved it, calling it “truth unveiled,” while others called it propaganda on steroids. Either way, it proved cinema can make people lose their cool faster than a power cut in summer.
#TheKashmirFiles has opened a floodgate of emotions in Hindus .
— Naina 🇮🇳 (@NaIna0806) March 14, 2022
They now realise they could be next in line .
What is happening in West Bengal ,Kerela, Delhi Riots and the way the establishment is totally inept in protecting us is now glaringly obvious . pic.twitter.com/Ct6elKGeNf
The Kerala Story
Here is another KERALA STORY which to be told and spread widely to clarify and correct the huge amount of inaccuracies that have been told by the “ bad written & bad directed “ movie.. pic.twitter.com/179jVDzy9D
— د.عـبدالله العـمـادي (@Abdulla_Alamadi) May 8, 2023
Then there’s The Kerala Story (2023), a movie about women being lured into terrorism. Sounds serious, right? But it painted Kerala—a state known for beaches and backwaters—as a terrorist factory, mostly targeting Muslims. After watching it, some people didn’t just nod and move on. In Akola, Maharashtra, riots broke out in 2023, with one person killed and eight injured, all linked to the film’s release. X posts from that time show folks arguing, “This is reality!” while others screamed, “This is lies!” Instead of sparking debate, it sparked violence. Ramadhir Singh would’ve smirked and said, “Told you so.”
Chhaava
Last night at 11:30 PM, some people deliberately came to the #Chhava show and laughed during the final scene.
— Megh Updates 🚨™ (@MeghUpdates) March 2, 2025
People Made them apologize and formally called the police to take action.
Claim: incident frm (Balaji Theater, Koparkhairane, Maharashtra) 🚩 pic.twitter.com/Wx1fNwLX5z
Fast forward to Chhaava (released in late 2024), a film about Maratha warrior Sambhaji. History buffs might’ve cheered, but it turned into a free-for-all. In Nagpur, just this year (2025), violence erupted after the movie hit screens—33 police officers got injured trying to calm a mob. X posts reveal how some fans took the film’s “Hindu pride” angle and ran with it, literally—chasing down anyone who disagreed. Others started digging (figuratively and maybe literally) for “Aurangzeb’s hidden loot,” missing the point entirely. It’s like watching a superhero movie and then jumping off your roof thinking you can fly. Cinema: 1, Common Sense: 0.
Kabir Singh
Sandeep Reddy Vanga justifying the slap scene in Kabir Singh in the most bizarre way. pic.twitter.com/MED4t4hTsR
— Syed Irfan Ahmad (@Iam_SyedIrfan) August 19, 2023
Now, let’s talk Kabir Singh (2019). Shahid Kapoor played a doctor so toxic he made hand sanitizer look friendly. He slaps his girlfriend, screams at the world, and somehow becomes a “hero.” After the movie, some guys thought this was a love manual. X posts from back then show dudes bragging, “I’m a Kabir Singh type—girls love it!” Spoiler: they don’t. Reports popped up of guys mimicking his anger, picking fights, or harassing women, thinking it’s “alpha.” The film made over ₹370 crore, but it also made toxic masculinity a trend. Ramadhir would’ve rolled his eyes and muttered, “chut*ye ban gaye.”
Animal Fever
Interesting how some men hate movie like 'Thappad' which shows some real issues
— Cheeni (@ChaiChaahiManne) December 4, 2023
And can't even handle light criticism for movie 'Animal' for showing toxic masculinity just like 'Kabir Singh'
Both directed by same person pic.twitter.com/5UYbKbtEkB
And then there’s Animal (2023), where Ranbir Kapoor goes full beast mode—violence, revenge, and more violence. It raked in ₹900 crore, but critics like Javed Akhtar called it “dangerous for society.” Fans didn’t just clap—they copied. X posts from 2024 show guys posting shirtless pics with captions like “Unleashing my inner Animal,” while others got into brawls, claiming the film “inspired” them. One viral video even showed a dude smashing a bottle in a bar, yelling, “This is for Animal!” Bro, it’s a movie, not a life coach. Cinema turned them into wannabe gangsters, and Ramadhir’s dialogue echoed louder than ever.
The Dark Side of the Screen
What’s going on here? These films aren’t just stories anymore—they’re weapons. Directors with agendas, backed by powerful politicians, are cooking up movies that don’t just entertain but divide. The Kashmir Files and The Kerala Story push Hindu-Muslim tension buttons. Chhaava turns history into a war cry. Kabir Singh and Animal sell toxicity as “cool.” And people? They’re eating it up like free popcorn, then running out to start trouble. It’s not all of them, sure—most just watch and go home. But the loud ones? They’re proving Ramadhir Singh right every day.
Compare that to the old days. Chak De! made us cheer for teamwork. Bhaag Milkha Bhaag had us lacing up our shoes. Even Dangal (2016) got girls into wrestling rings. Those films built something—pride, hope, action. Today’s agenda-driven flicks? They’re tearing stuff down, one riot or slap at a time. Maybe it’s the directors forcing their beliefs, or politicians fanning the flames for votes. Either way, the audience isn’t just watching—they’re reacting, and not always in a good way.
Are We Really Getting Fooled by Cinema?
Let’s pause for a chuckle. Imagine Ramadhir Singh watching this chaos from his rocking chair, sipping chai, and saying, “Saala, maine bola tha na? Cinema hai, toh chutiyapa hoga.” He’d probably look at Animal fans breaking bottles and mutter, “Inko Oscar nahi, akal chahiye.” The man saw it coming—cinema’s power to fool us is stronger than a Bollywood hero’s six-pack.
Time to Wake Up?
So, what’s the fix? Maybe we need more films that lift us up, not drag us into the gutter. Maybe we need to watch with our brains, not just our hearts. Cinema can change you—it can make you a hockey champ or a history nerd. But it can also turn you into a shouting, slapping, riot-starting mess. Ramadhir Singh’s words still ring true in 2025, louder than ever. Next time you’re in a theater, ask yourself: “Am I getting inspired, or am I getting fooled?” Because as long as there’s cinema in Hindustan, well, you know the rest. Let’s not be the chut*ye he warned us about, okay?