Kartik Aaryan, the Bollywood heartthrob, rose to fame with Pyaar Ka Punchnama & Sonu Ke Titu Ki Sweety. His journey from a small-town boy to a bankable star is inspiring.
Name: Rajesh Khanna Profession: Actor, producer, politician Born: December 29, 1942, in Amritsar, Punjab, India Died: July 18, 2012, in Mumbai, Maharashtra, India Nationality: Indian Known for: Being the first superstar of Indian cinema, with iconic films like ‘Aradhana’, ‘Anand’, and ‘Amar Prem’
Biography: Rajesh Khanna, born Jatin Khanna, was an iconic figure in Indian cinema, often hailed as its first superstar. Raised in Amritsar, Punjab, he was adopted by his uncle and aunt, Chunnilal and Leelawati Khanna, who moved to Mumbai.
Khanna’s passion for acting led him to participate in the All India Talent Contest in 1965, emerging as a finalist, which paved the way for his film debut in “Aakhri Khat” (1966).
His breakthrough came with “Aradhana” (1969), where he portrayed both a father and son, establishing him as a leading actor. Over the next decade, Khanna delivered 15 consecutive solo hit films, a record that remains unbroken. His notable films include “Anand” (1971), “Kati Patang” (1971), “Haathi Mere Saathi” (1971), “Amar Prem” (1972), and “Avishkaar” (1974).
Beyond acting, Khanna ventured into politics, serving as a Member of Parliament for the New Delhi constituency from 1992 to 1996 under the Indian National Congress. He married actress Dimple Kapadia in 1973, with whom he had two daughters, Twinkle and Rinke. Despite their separation in 1984, the couple remained close until his passing.
Khanna’s contribution to Indian cinema was immense, blending commercial appeal with artistic depth. He received numerous accolades, including three Filmfare Awards for Best Actor and the Filmfare Lifetime Achievement Award in 2005. He was posthumously awarded the Padma Bhushan, India’s third-highest civilian honor, in 2013.
Awards and Accolades:
Filmfare Award for Best Actor for “Sachaa Jhutha” (1971), “Anand” (1972), and “Avishkaar” (1975).
Filmfare Lifetime Achievement Award (2005).
Padma Bhushan (2013, posthumously).
Interesting Facts:
Khanna’s fan following was unprecedented; fans would kiss his car, leaving lipstick marks, and some even wrote him letters in blood.
He was known for his unique style and dialogue delivery, which set him apart from his contemporaries
Name: The Fall Guy (2024) Release Date: May 3, 2024 Director: David Leitch
Cast:
Ryan Gosling as Colt Seavers
Emily Blunt as Jody Moreno
Aaron Taylor-Johnson as Tom Ryder
Hannah Waddingham as Gail Meyer
Jason Momoa as Himself (cameo)
Description: The Fall Guy (2024) is an action-comedy-drama that blends explosive stunts with a heartfelt narrative. Directed by David Leitch and written by Glen A. Larson and Drew Pearce, the film follows Colt Seavers, a seasoned stuntman played by Ryan Gosling, who is drawn into a high-stakes mystery on the set of an action film.
With a production budget between $125–150 million, the movie celebrates practical stunt work, including a Guinness World Record for cannon rolls,while exploring themes of redemption, conspiracy, and rekindled romance.
Plot: Colt Seavers, a talented stuntman recovering from a career-threatening accident, returns to work on the film Metalstorm, directed by his ex-girlfriend Jody Moreno (Emily Blunt).
When lead actor Tom Ryder (Aaron Taylor-Johnson) goes missing under mysterious circumstances, Colt uncovers a conspiracy involving deepfake technology and accidental foul play that implicates the disappearance.
As he races against time to clear his name and expose the truth behind Tom’s vanishing, Colt also finds himself rekindling his lost romance with Jody.
Despite earning $181.1 million worldwide, the film’s high break-even point means it fell short financially, though it garnered positive critical acclaim with an 82% rating on Rotten Tomatoes and 73/100 on Metacritic.
Description: The Substance is a 2024 international body horror film that explores the dark side of Hollywood’s obsession with youth. Directed by Coralie Fargeat, it follows fading star Elisabeth Sparkle, who uses a dangerous black-market drug to temporarily create a younger, flawless version of herself.
The film is renowned for its visceral practical effects and biting social commentary on ageism and the pressures of fame.
Plot: On her 50th birthday, Elisabeth Sparkle, a once-celebrated TV fitness icon, is abruptly fired by her ruthless producer, Harvey.
Desperate to reclaim her former glory, Elisabeth turns to a mysterious black-market serum known as The Substance, which miraculously creates a youthful alter ego, Sue, intended to share her life in alternating seven-day cycles.
However, when Sue’s popularity soars and she refuses to revert to Elisabeth, the balance between the two selves unravels. As Elisabeth faces rapid aging and horrifying side effects, a brutal showdown ensues, exposing the dark price of defying nature and the exploitation ingrained in the entertainment industry.
Dharm 2007 Movie: Best bollywood movie on religion
Today, we live in a world where people are quick to judge. If you’re born in a certain family, wear certain clothes, or even cheer for a different team, people slap a label on you. “Oh, he’s from that religion, so he must think like this.” Or, “She’s from that caste, so she must act like that.” It’s gotten so bad that even if you say something kind about another group, people raise eyebrows and whisper, “Maybe your ancestors were like them.” It’s exhausting, isn’t it? We’ve built walls between us—walls of caste, religion, and even personal likes. But there’s a movie that quietly breaks these walls with a simple, beautiful truth: Dharm, directed by Bhavna Talwar.
A Story That Questions the Meaning of Religion
Pandit Chaturvedi trying to stop the baby from crying
Released in 2007, Dharm is a Hindi film set in the holy city of Benares. It tells the story of Pandit Chaturvedi (played by the brilliant Pankaj Kapur), a respected Brahmin priest who lives by strict religious rules. One day, a baby is abandoned and brought to his home. His wife, Parvati (Supriya Pathak), and daughter, Vedika (Ananya Tripathi), convince him to adopt the child.
Pandit Chaturvedi started loving the abandoned little boy, naming Kartikeya
The family grows to love the little boy, naming him Kartikeya. But then, everything changes. The boy’s mother returns. She explains she lost him during violent riots between Hindus and Muslims.
Kartikeya mother arrives and explained Chaturvedi ji & his family, how she lost the baby during riots
The twist? The boy is Muslim. Suddenly, Pandit Chaturvedi feels betrayed—not by the child, but by his own beliefs. He hands the boy back and spends days “purifying” himself, thinking he’s been “tainted” by raising a Muslim child. But soon, the boy runs back to their home, scared and alone, chased by a mob during another riot. In that moment, Pandit Chaturvedi sees the truth: religion isn’t about rules or labels—it’s about humanity. The movie ends with a powerful line: “Dharm is not just penance and practice. Dharm is unity, humanity and brotherhood.”
Chaturvediji’s wife Parvati didn’t want to leave Kartikeya after getting emotionally attachted with him
Why “Dharm” Feels So Real Today
Imagine if Dharm came out today, in 2025. We’re still fighting over religion and caste. Social media would explode. Some might call it “too woke” or “anti-Hindu” because it challenges strict traditions. Others might say it’s “not bold enough” for not picking a side. But that’s the beauty of Dharm—it doesn’t take sides. It asks us to look inside ourselves. If this movie dropped now, it could spark big debates. Some would cheer its message of unity, while others might dig into the story to argue about “hidden agendas.” Just like when people watched Chhava recently and started hunting for historical treasure instead of soaking in its bravery, many might miss Dharm’s real lesson.
Pankaj Tripathi wants to punish Pandit Chaturvedi for touching Muslim soul and giving him shelter, love and food
But here’s the thing: we need this movie today. We’re so busy judging—by names, families, even hobbies—that we forget what matters. Dharm reminds us that your religion isn’t where you’re born or what you’re taught—it’s what you do. If you help someone, if you show kindness, that’s your true “dharm.”
A Picture That Can Change You
After years of performing rituals, Pandit ji understands “dharm” is about love, not rituals
A single film can shift how you see the world. Dharm is that kind of movie. It’s not loud or flashy—it’s quiet, like a friend telling you a story by the river. When Pandit Chaturvedi protects that little boy from the mob, you feel his fear turn into courage. When he realizes “dharm” is about love, not rituals, you want to cheer. This isn’t just a film for adults; it’s for everyone: don’t hate, don’t judge—help.
In a world where people continue to fight over religion and caste, Dharm is a film that needs to be re-released. It is not just a movie; it is a lesson in humanity. The film beautifully conveys that true religion is not about rituals but about one’s actions (Karma). It challenges the idea that faith is something we inherit at birth—it is something we practice through our deeds.
One of the most emotional moments in the film is when Pandit Chaturvedi realizes that his years of religious practice have not taught him as much as the innocent love of a child has. The boy, who knew nothing of religious divisions, became the very reason Chaturvedi understood the true essence of Dharm—which is love, kindness, and acceptance.
Why ‘Dharm’ Stands Out Among Indian Films on Religion
Many Bollywood movies have explored religion, but Dharm stands apart because it does not criticize any particular belief—it simply questions the way people interpret religion. Unlike commercial Bollywood films that use religion as a backdrop for drama, Dharm takes a philosophical and emotional approach, making the audience reflect on their own beliefs.
The film’s minimalist storytelling, breathtaking cinematography of Benares, and outstanding performances make it a masterpiece. Pankaj Kapur’s performance is nothing short of legendary, capturing the emotional turmoil of a man torn between tradition and humanity.The film won the prestigious Nargis Dutt Award for Best Feature Film on National Integration at the 2007 National Film Awards and was even showcased at the Cannes Film Festival. Yet, despite such recognition, it remains an underrated gem that deserves more attention.
Get ready, Bollywood lovers—Salman Khan is back with a bang! The much-awaited trailer of Sikandar has finally landed, and it’s sending shockwaves across the internet. Set to release on Eid 2025 (March 30), this political action thriller is packed with high-octane sequences, massy dialogues, and a romance that’s got everyone talking. Starring alongside Salman is Rashmika Mandanna, adding charm and intrigue to the fiery mix. But will Sikandar live up to the hype and reign supreme at the box office? Let’s break it all down!
Salman Khan’s Fierce Avatar as ‘Rajkot Ka Raja’
Dropping on March 23, 2025, the trailer of Sikandar is 3 minutes and 39 seconds of sheer adrenaline. Salman Khan plays Sanjay Rajkot, a vigilante figure wrapped in 49 legal cases but fighting for justice. Think slow-motion punches, blazing shootouts, and a one-liner that has already gone viral:
“Insaaf nahi, hisaab karne aaya hoon” (I’m not here for justice, I’m here to settle scores)
With A.R. Murugadoss (Ghajini, Holiday) at the helm, the film promises a mass entertainer that blends high-energy action with a gripping political narrative. If early buzz is anything to go by, this might be Salman’s biggest opener since Tiger 3, with Day 1 box office predictions soaring past ₹75 crore!
Age-Gap Controversy: Salman’s Epic Clapback
The internet can’t stop debating the 31-year age gap between Salman (59) and Rashmika (28). But Salman, being Salman, silenced the haters with a hilarious mic-drop moment at the trailer launch:
“If the heroine doesn’t mind, and her dad’s cool with it, why are you losing sleep over it? I’ll even work with her daughter someday—after getting Rashmika’s permission, of course!”
Fans hailed this as the comeback of the year, while trolls were left speechless. Love it or hate it, you can’t ignore it!
Rashmika Mandanna: Secret Weapon of Sikandar
Rashmika isn’t just here for the glamour—her character, Saisri, plays a pivotal role in the story. Fresh off blockbusters like Pushpa 2, she holds her own alongside Salman, bringing wit, intensity, and emotional depth. Fun fact? She filmed Sikandar while recovering from a leg injury, proving she’s just as much a fighter as her co-star. No wonder fans are already shipping this duo!
Eid 2025: A Mega Clash at the Box Office
Sikandar isn’t just competing with expectations—it’s facing stiff competition. Ranbir Kapoor’s Love & War and Yash’s Toxic are also eyeing big releases around the same time. With an ₹85 crore Netflix deal already secured, will Salman’s die-hard fanbase push Sikandar to a ₹650 crore+ box office haul? Only time will tell!
Final Verdict: A Must-Watch or Just Another Masala Flick?
Sikandar has all the ingredients of a blockbuster—Salman’s swagger, explosive action,chartbuster songs, and a pinch of controversy. The trailer has already crossed 40 million+ views, and if the buzz holds up, Sikandar could be the biggest Bollywood event of 2025. Whether you’re watching for the action, romance, or just to see Salman owning the screen again, one thing is for sure: this Eid, Bollywood belongs to Bhaijaan!
Amar Singh Chamkila is a 2024 Indian Hindi-language biographical drama film based on the life of Punjabi musician Amar Singh Chamkila. Directed by Imtiaz Ali, the film features Diljit Dosanjh as the rebellious singer and Parineeti Chopra as his second wife, Amarjot Kaur.
With stirring music by A.R. Rahman, it portrays Chamkila’s rise to fame and his controversial journey through success and tragedy.
Plot:
The film chronicles the tumultuous journey of Amar Singh Chamkila, a humble singer from a Dalit Sikh background who defies societal norms to become a Punjabi music icon known as the “Elvis of Punjab.”
As his provocative lyrics and raw talent spark both adoration and controversy, the narrative weaves between his meteoric rise and the personal demons that haunt him. Amidst fame, complex relationships, and public scrutiny, Chamkila’s life takes a tragic turn with his unsolved assassination, leaving a lasting impact on Punjabi culture.
Creating believable futuristic worlds in Bollywood is like trying to fit an elephant into a suitcase, it’s a tight squeeze. While Hollywood often dazzles with its sci-fi spectacles, Bollywood faces unique challenges in this genre.
One major hurdle is budget constraints. High-quality science fiction requires significant investment in visual effects, set designs, and technology, which can be financially daunting for many Bollywood productions.
For instance, the film “Cargo” (2019) tackled this by setting most of its story within a spaceship, minimizing the need for multiple locations. Director Arati Kadav opted for a retro aesthetic, using technology reminiscent of the 1980s to keep costs manageable.
Another challenge is the limited experience with the sci-fi genre in Bollywood. Unlike genres like romance or drama, science fiction requires a different storytelling approach and technical expertise. This inexperience can lead to underwhelming futuristic portrayals. “Aditya 369” (1991), one of the few Indian films exploring time travel, drew inspiration from H.G. Wells’ “The Time Machine” but had to adapt its narrative to suit local sensibilities and budgetary limitations.
Audience reception also plays a role. Bollywood’s primary audience has traditionally favored genres like romance, action, and family dramas. Venturing into science fiction requires a shift in viewer expectations, which can be risky for filmmakers. The limited success of past sci-fi attempts may deter producers from investing in such projects.
Moreover, the industry’s focus on profit over creativity can stifle innovation. Director Anurag Kashyap’s departure from Bollywood highlights this issue, as he expressed frustration over the emphasis on commercial success at the expense of original storytelling.
This environment makes it challenging to experiment with genres like science fiction, which require creative risks.
However, there are signs of change. Upcoming projects like “Kalki 2898 AD” aim to blend traditional narratives with futuristic settings, potentially paving the way for more sci-fi ventures in Bollywood.
Collaborations with technology experts and increased investment in special effects could also enhance the quality of these films.
Additionally, the rise of streaming platforms offers a new avenue for sci-fi content. With global audiences and diverse preferences, there’s an opportunity for Bollywood to experiment with futuristic themes without the pressure of box office performance.
To be honest, while Bollywood faces challenges in creating convincing futuristic worlds, a combination of increased investment, creative risk-taking, and audience openness to new genres could lead to a brighter future for Indian science fiction cinema.
Srikanth is a 2024 Indian Hindi-language biographical drama film based on the extraordinary life of Srikanth Bolla, an industrialist who defied all odds despite being visually impaired from birth.
Directed by Tushar Hiranandani and produced by T-Series Films and Chalk N Cheese Films, the movie chronicles Bolla’s remarkable journey from a small village in Andhra Pradesh to becoming a successful entrepreneur and the founder of Bollant Industries. The film highlights themes of perseverance, discrimination, and the triumph of human spirit in the face of adversity.
Plot:
The narrative begins in a small village in Andhra Pradesh, where Srikanth Bolla is born visually impaired to a family of poor farmers. Despite societal stigma and limited resources, his parents decide to raise him with dignity rather than abandoning him, a common fate for many disabled children in rural India at the time.
As a child, Srikanth faces numerous challenges, including being denied admission to school due to his disability. With his parents’ unwavering support and his own determination, he manages to get educational opportunities and excels academically despite the lack of accessible study materials for the visually impaired.
The film portrays his struggles with the Indian education system, which initially attempted to prevent him from pursuing science subjects due to his blindness.
Against all odds, Srikanth scores impressively in his board examinations but faces rejection from the IIT entrance system due to discriminatory policies.
Undeterred, he applies to foreign universities and becomes the first international blind student to be accepted into the prestigious Massachusetts Institute of Technology (MIT). His time in America transforms him, exposing him to a world of accessibility and equal opportunity.
Upon returning to India, instead of pursuing a comfortable corporate job, Srikanth decides to become an entrepreneur to create employment opportunities for people with disabilities.
The film depicts his founding of Bollant Industries, which manufactures eco-friendly packaging products and predominantly employs differently-abled individuals.
The narrative highlights key moments of Srikanth’s fight against systemic discrimination, including his legal battles to change policies that limit opportunities for disabled students. It also portrays his personal relationships, particularly with Swathi, who becomes his support system and eventual life partner.
The climax of the film showcases how Srikanth built his million-dollar company, providing employment to hundreds of disabled people, and his continued advocacy for accessibility and equal rights for persons with disabilities in India.
Stree 2: Sarkate Ka Aatank is a 2024 Indian Hindi-language horror comedy film, serving as a sequel to the 2018 hit “Stree.” Directed by Amar Kaushik and produced by Dinesh Vijan under Maddock Films, it’s part of the larger “Maddock Horror Comedy Universe.”
The film continues the story of Chanderi town, now threatened by a new supernatural entity called “Sarkata” (The Headless One). Combining scares with satirical humor, the film builds on its predecessor’s feminist themes while expanding the supernatural mythology established in the franchise.
Plot:
Set five years after the events of the first film, Stree 2 returns to the town of Chanderi, which has been enjoying relative peace. Vicky (Rajkummar Rao) has gained local fame as the one who previously helped defeat Stree, the female ghost who terrorized men.
He continues his work as a tailor alongside his friends Bittu and Jana, while maintaining a mysterious connection with the enigmatic woman (Shraddha Kapoor) who is believed to be the human incarnation of Stree.
The town’s peace is shattered with the arrival of a new supernatural threat – Sarkata, a headless entity who targets women, kidnapping them and leaving their footwear behind.
Unlike Stree who hunted men, Sarkata specifically preys on women, creating a sense of panic throughout Chanderi. As women begin disappearing, the town realizes they’re facing a more dangerous adversary than before.
The gang, including Vicky, Bittu, Jana, and the wise Rudra Bhaiya (Pankaj Tripathi), uncover the legend of Sarkata – a warrior whose head was severed in battle centuries ago and who now returns to claim women as offerings. They learn that Sarkata can only be defeated by reuniting with the supernatural forces they once feared, including Stree herself.
As the narrative unfolds, Vicky’s relationship with the mysterious woman deepens, revealing more about her connection to the supernatural world. The story takes unexpected turns when they discover that Sarkata’s rise is connected to ancient artifacts and a ritual that was interrupted decades ago.
The team must navigate complex supernatural rules and overcome their own fears to save Chanderi’s women.
The climax features an elaborate face-off between the team and Sarkata, with Stree joining forces with them in a spectacular supernatural battle. The film concludes with hints of an expanding universe of supernatural entities, including a connection to Bhediya (Varun Dhawan’s werewolf character from another film in the same universe).
Born: June 22, 1974, in Chennai, Tamil Nadu, India
Nationality: Indian
Known for: Ghilli, Thuppakki, Mersal, Master
Biography:
Joseph Vijay Chandrasekhar, popularly known as Thalapathy Vijay, is a prominent figure in the Tamil film industry and Indian politics. Born on June 22, 1974, in Chennai, Tamil Nadu, he is the son of film director S. A. Chandrasekhar and playback singer Shoba Chandrasekhar. Vijay had a sister, Vidhya, who tragically passed away at the age of two, an event that profoundly affected him.
Vijay completed his schooling at Fathima Matriculation Higher Secondary School and Balalok Matriculation Higher Secondary School in Chennai. He later pursued a degree in Visual Communications from Loyola College. Despite his academic endeavors, Vijay’s passion for cinema led him to follow in his parents’ footsteps.
He began his acting career as a child artist in the film “Vetri” (1984), directed by his father. After appearing in several films as a child actor, Vijay made his debut as a lead actor in “Naalaiya Theerpu” (1992) at the age of 18. His breakthrough came with the romantic comedy “Poove Unakkaga” (1996), which established him as a rising star in Tamil cinema.
Throughout the late 1990s and early 2000s, Vijay delivered a series of successful films, including “Kadhalukku Mariyadhai” (1997), “Thulladha Manamum Thullum” (1999), “Kushi” (2000), and “Friends” (2001). His transition to action roles was marked by the blockbuster “Ghilli” (2004), where he portrayed a kabaddi player, further solidifying his status as a leading actor.
In recent years, Vijay has continued to dominate the box office with hits like “Thuppakki” (2012), “Mersal” (2017), “Master” (2021), and “Beast” (2022). His performances have been lauded for their versatility, charisma, and mass appeal. Beyond acting, Vijay is also a playback singer and has lent his voice to several songs in his films.
On February 2, 2024, Vijay officially entered politics by launching his own political party, the Tamilaga Vettri Kazhagam (TVK). His foray into politics has garnered significant attention, reflecting his immense popularity and the expectations of his supporters.
Awards and Accolades:
Tamil Nadu State Film Award for Best Actor for “Kadhalukku Mariyadhai” (1997)
Vijay Award for Entertainer of the Year for “Thuppakki” (2012)
IARA Award for Best International Actor for “Mersal” (2018)
Interesting Facts:
Vijay is often referred to as “Thalapathy,” meaning “Commander,” by his fans and the media.
He is one of the highest-paid actors in the Tamil film industry.
Vijay’s son, Jason Sanjay, made a cameo appearance in the film “Vettaikaaran” (2009).
