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Author: Arslan Nadeem

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The Conjuring Last Rites: How the Final Chapter Ties Every Film Together

Who knew that a small Pennsylvania town could spawn the scariest movie of 2025? The Conjuring Last Rites brings Ed and Lorraine Warren’s journey to a terrifying close, but this isn’t just another horror sequel. Director Michael Chaves has crafted a film that serves as both the perfect goodbye to beloved characters and a clever roadmap for where this billion-dollar franchise heads next.

Released on September 5, 2025, The Conjuring Last Rites takes audiences back to 1986 for one final case with the legendary paranormal investigators. Based on the controversial Smurl family haunting in West Pittston, Pennsylvania, the film marks the ninth entry in The Conjuring Universe timeline. This case was actually one of the most documented investigations in the real Ed and Lorraine Warren’s careers, making it a fitting choice for their cinematic swan song.

The movie opens with a familiar scene that fans of the franchise will recognize instantly. Ed and Lorraine Warren are investigating a haunting involving an antique mirror at a curio shop in 1964, setting up a tragic backstory that haunts them throughout the film. This opening sequence connects directly to events referenced in previous films, showing how the filmmakers carefully wove this final chapter into the existing narrative fabric.

What makes The Conjuring Last Rites special is how it brings together elements from across the entire franchise. Characters from the original The Conjuring film, including Lili Taylor and Mackenzie Foy as Carolyn and Cindy Perron, make appearances at Ed’s birthday party scene. Frances O’Connor and Madison Wolfe return as Peggy and Janet Hodgson from The Conjuring 2, while Julian Hilliard reprises his role as David Glatzel from The Conjuring: The Devil Made Me Do It.

The Conjuring Last Rites Real Story Behind the Pennsylvania Case

The film introduces us to the Smurl family, who move into their dream home in West Pittston only to discover it harbors a malevolent presence. Jack and Janet Smurl, along with their children, experience escalating supernatural attacks that start with minor disturbances but quickly turn violent and personal. The Conjuring Last Rites characters include Mia Tomlinson as adult Judy Warren and Ben Hardy as Tony Spera, showing how the Warren legacy continues through the next generation.

Unlike previous films in the series, this installment takes a more personal approach to the horror. The Warrens are shown dealing with Ed’s declining health and their own mortality, adding emotional weight to every supernatural encounter. Their decision to take on the Smurl case as their final investigation gives the film a poignant undertone that sets it apart from earlier entries.

The real Smurl haunting lasted from 1974 to 1989, but The Conjuring Last Rites real story condenses these events into a more manageable timeline. According to historical accounts, the family experienced everything from flying objects and foul odors to physical and sexual assaults by demonic entities. The Warrens investigated the case in 1986, collecting audio evidence and ultimately declaring the house possessed by a powerful demon.

Director Michael Chaves, who also helmed The Conjuring: The Devil Made Me Do It, brings his signature style to this finale. The film balances practical effects with modern filmmaking techniques, creating scares that feel both fresh and consistent with the franchise’s established tone. Chaves has mentioned in interviews that he wanted this final film to honor both the characters’ journey and the real people whose lives were affected by these events.

The film’s place in The Conjuring Universe chronology is significant as it occurs in 1986, five years after the events of The Conjuring: The Devil Made Me Do It. This timeline placement allows the movie to reference previous cases while showing how the Warrens have evolved as both investigators and as a couple. Their relationship dynamic reflects years of facing supernatural threats together, making their final case feel like a natural conclusion to their story arc.

The Conjuring Last Rites Reviews and Critical Reception

Box office numbers show that audiences were ready for this farewell, with The Conjuring Last Rites earning $244 million worldwide despite mixed reviews. The film opened to $84 million domestically, marking the best opening in franchise history and proving that fans still have an appetite for Warren-centric stories. Critics praised Wilson and Farmiga’s performances while noting that the film successfully balances franchise obligations with emotional storytelling.

The Conjuring Last Rites reviews highlight the film’s strengths in character development and practical scares while noting some predictability in the horror sequences. Rotten Tomatoes shows a 57% critics score, with the consensus praising the leads’ final performances while suggesting the film serves as a solid if not spectacular conclusion. Many reviewers appreciated how the movie respects both the fictional characters and the real families whose stories inspired the franchise.

What sets this entry apart is its role as a bridge between past and future. The film features cameo appearances from real-life Tony Spera and Judy Warren, connecting the fictional narrative to the actual people who continue the Warrens’ work today. James Wan, the franchise creator, even makes an uncredited cameo appearance at the film’s end, symbolically passing the torch to the next generation of storytellers.

The movie’s ending opens doors for future installments while providing closure for longtime fans. Mia Tomlinson’s portrayal of adult Judy Warren establishes her as a potential lead for future films, with producer Peter Safran confirming that Judy’s real-life paranormal investigations could inspire upcoming projects. This transition ensures that The Conjuring Universe can continue even without Wilson and Farmiga’s central presence.

The Conjuring Last Rites Interview Details and Future Universe Plans

Behind-the-scenes details reveal the care taken to honor the franchise’s legacy. Benjamin Wallfisch composed the score, taking over from Joseph Bishara who scored the previous three main films, bringing a fresh musical perspective while maintaining thematic continuity. The production filmed in London from September to November 2024, with the cast and crew knowing they were creating something special as the final Warren-centered film.

The Conjuring Last Rites also serves as a testament to the lasting impact of the franchise on horror cinema. Since 2013, The Conjuring Universe has generated over $2 billion worldwide, proving that audiences still crave well-crafted supernatural horror stories. The success has spawned not just sequels but entire sub-franchises focusing on entities like Annabelle and Valak the Nun.

Looking ahead, Warner Bros. has announced that a second phase of films is in active development following the success of The Conjuring Last Rites. These future projects may include the long-awaited Crooked Man film, additional Nun installments, and stories focusing on Judy Warren’s investigations. The franchise’s expansion into television is also being explored, with James Wan and Peter Safran attached as executive producers for potential series.

The film’s treatment of the real Smurl family story walks a careful line between entertainment and respect for actual trauma. While skeptics have questioned the authenticity of the original case, the movie presents the family’s experiences as genuine while avoiding exploitation. This respectful approach has become a hallmark of the main Conjuring films, distinguishing them from many other horror franchises.

The Conjuring Last Rites proves that even after four films, there are still meaningful stories to tell within this universe. Patrick Wilson and Vera Farmiga’s final performances as Ed and Lorraine Warren provide the emotional anchor that elevates the supernatural scares into something more profound. Their legacy continues through both the fictional characters they’ve brought to life and the real families whose stories have touched millions of viewers worldwide.

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Movies Reviews

What I Felt Watching ‘Songs of Paradise’: Music, Memories, and Hope

Sometimes you watch a movie expecting one thing and get something completely different. My Songs of Paradise review begins with this exact feeling after streaming it on Prime Video yesterday. The film tells the story of Kashmir’s first female radio singer through the character of Noor Begum, inspired by the legendary Raj Begum.

Director Danish Renzu creates a visual love letter to Kashmir that made me pause the movie multiple times just to admire the scenery. The backwaters, mountains, and traditional homes create a perfect backdrop for this musical journey. Every frame feels like a painting that captures the essence of the valley’s natural beauty.

Saba Azad plays the younger Noor Begum with genuine passion, though her performance feels restrained at times. Her musical background helps her handle the singing sequences naturally, making those moments feel authentic. The actress brings depth to scenes where her character faces family pressure and social restrictions.

Soni Razdan portrays the older Noor Begum with the wisdom of someone who has lived through decades of struggle and triumph. Her narration style draws you into the story, making you feel like you’re sitting with a grandmother sharing family tales. The chemistry between the actresses works well, even though they represent the same character at different life stages.

The story structure follows a familiar pattern of young artist facing obstacles, finding mentors, and eventually achieving success. Danish Renzu uses flashbacks effectively to connect past and present, though some transitions feel abrupt. The screenplay moves between time periods smoothly, keeping viewers engaged throughout the 107-minute runtime.

Music becomes the real star of this film, with traditional Kashmiri instruments creating an authentic soundscape. Abhay Sopori’s compositions blend folk melodies with contemporary arrangements beautifully. Each song serves the narrative without feeling forced or placed randomly for commercial appeal.

The supporting cast includes Zain Khan Durrani as Azaad, the poet who helps Noor Begum find her voice. His character represents the progressive men who supported women’s dreams during conservative times. Taaruk Raina plays a modern music student researching Noor Begum’s story, connecting past struggles to present recognition.

Shishir Sharma delivers a memorable performance as the Ustad who trains Noor Begum without charging fees. His character shows how some mentors believe in talent regardless of social barriers. These supporting characters add layers to the main story without overwhelming the central narrative.

The film’s biggest strength lies in its cultural authenticity and respect for Kashmiri traditions. Danish Renzu, being from Kashmir himself, brings personal knowledge to every scene set in the valley. The dialogue mixing Hindi, Urdu, and Kashmiri creates a realistic linguistic environment.

However, some emotional moments feel manufactured rather than organic, making them less impactful. The screenplay tries too hard to create inspiring moments instead of letting them develop naturally. Certain scenes about family conflict and social pressure follow predictable Bollywood formulas.

Visual storytelling works better than dialogue in several sequences, especially during musical performances. The cinematography captures both intimate moments and grand landscapes with equal skill. Kashmir’s natural beauty never overwhelms the human story being told.

The film succeeds in highlighting an important historical figure who deserved recognition decades ago. Raj Begum’s real story as Kashmir’s first female playback singer becomes an inspiration for modern audiences. Her courage to pursue music when women were confined to homes resonates strongly today.

Technical aspects like production design and costume work enhance the period setting effectively. The attention to detail in recreating 1950s Kashmir shows the team’s dedication to historical accuracy. Sound design creates an immersive experience that transports viewers to different time periods.

Some performances feel inconsistent, with actors struggling to maintain their characters’ emotional arcs throughout the film. The accent work varies in quality, sometimes pulling viewers out of the story’s immersion. These technical issues prevent the film from reaching its full emotional potential.

The movie’s message about women’s empowerment and artistic freedom remains relevant and powerful. It celebrates not just one woman’s journey but represents countless others who fought similar battles. The story encourages viewers to support artists and preserve cultural heritage.

Excel Entertainment’s production values ensure professional quality without feeling overly commercial. The partnership with Apple Tree Pictures and Renzu Films creates a balanced approach to storytelling. Their investment in authentic locations and period details shows commitment to the subject matter.

Songs of Paradise works best when it focuses on music and cultural celebration rather than dramatic conflicts. The film’s heart beats strongest during performance sequences and quiet character moments. These scenes remind you why this story needed to be told on screen.

The ending provides closure while honoring Raj Begum’s lasting impact on Kashmiri music and culture. Danish Renzu concludes the narrative with hope and recognition for forgotten artists everywhere. My Songs of Paradise review finds this tribute meaningful despite its flaws, making it worth watching for anyone interested in music history and women’s stories.

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Bollywood Movie Reviews Reviews

War 2 Review: Does the Spy Universe Deliver Another Blockbuster?

Who needs coffee when you have Hrithik Roshan and Jr NTR throwing punches at each other for nearly three hours? War 2 begins with this simple question that every action movie fan has been asking since the trailer dropped. The film arrives with sky-high expectations, riding on the success of previous spy universe hits like Pathaan and the original War.

Director Ayan Mukerji takes charge of this massive project, replacing Siddharth Anand from the first film. The story picks up with Major Kabir Dhaliwal going rogue and becoming India’s most wanted criminal. Agent Vikram Chelapathi (Jr NTR) enters the scene as a deadly operative tasked with hunting down Kabir, setting up an epic cat-and-mouse game.

The film boasts an impressive cast that brings together stars from different film industries across India. Kiara Advani plays Wing Commander Kavya Luthra, while Anil Kapoor and Ashutosh Rana return to the spy universe in key roles. This multi-starrer approach aims to appeal to audiences across the country, making it a true pan-Indian experience.

War 2 was made on a massive budget of ₹400 crore, making it one of the most expensive Indian films ever produced. The production team shot extensively across multiple countries, including Spain, Italy, Abu Dhabi, and Russia, to create a global feel. This international scale gives the film a polished look that matches Hollywood action standards.

Hrithik Roshan delivers a solid performance as the conflicted Kabir, bringing both intensity and emotional depth to his character. His screen presence remains as magnetic as ever, and he handles the action sequences with his trademark style and grace. The actor successfully carries forward his character from the first film while adding new layers of complexity.

Jr NTR makes an impressive Bollywood debut with his portrayal of Agent Vikram, bringing his South Indian mass appeal to Hindi cinema. His chemistry with Hrithik creates some of the film’s most engaging moments, especially during their face-off scenes. The RRR star proves he can hold his ground against one of Bollywood’s biggest action heroes.

Kiara Advani looks stunning and delivers a competent performance, though her character feels somewhat underwritten compared to the male leads. Her action sequences are well-choreographed, and she brings emotional weight to the few dramatic scenes she gets. However, the film could have given her more substantial material to work with, given her proven acting abilities.

The supporting cast performs adequately within their limited screen time, with Anil Kapoor bringing his usual charm to the role of a RAW chief. Ashutosh Rana reprises his role from previous spy universe films, providing continuity to the franchise. The ensemble works well together, though some characters feel like they exist mainly to move the plot forward.

Ayan Mukerji’s direction shows ambition in handling such a large-scale production, but the execution feels uneven at times. The first half maintains good momentum with well-staged action sequences and character introductions that keep viewers engaged. However, the second half drags considerably, losing some of the energy that made the opening portions work.

The action choreography stands out as one of the film’s strongest elements, with expertly staged fight sequences and chase scenes. The stunt work looks realistic and impactful, avoiding the over-the-top CGI that often mars modern action films. International action directors contribute their expertise to create sequences that feel fresh and exciting.

Pritam’s music score provides adequate support to the action, though it lacks the memorable themes that could elevate key moments. The background score by Sanchit Balhara and Ankit Balhara works better during action sequences than in emotional scenes. The songs are decent, but don’t reach the level of catchiness that would make them chart-toppers.

The cinematography by Benjamin Jasper captures the global locations beautifully, giving the film a sleek and polished visual style. The editing by Aarik Sheikh keeps the pace mostly tight, though some sequences in the second half could have been trimmed. The production design creates authentic-looking spy environments that enhance the film’s credibility.

The film’s writing presents both strengths and weaknesses that affect the overall viewing experience. The cat-and-mouse dynamic between Kabir and Vikram creates tension, but some plot twists feel predictable rather than surprising. The dialogue works well during action scenes but sometimes becomes heavy-handed during emotional moments.

War 2’s themes of loyalty, betrayal, and patriotism resonate with contemporary audiences who enjoy escapist entertainment. The film doesn’t try to be too serious about real-world politics, instead focusing on creating an entertaining spy fantasy that fits within the larger YRF Spy Universe. This approach works for the target audience but might leave some viewers wanting more substance.

The box office performance shows mixed results, with the film earning ₹19.49 crore on its opening day in India. Telugu audiences responded more enthusiastically than Hindi viewers, reflecting Jr NTR’s star power in South India. The film faces tough competition from Rajinikanth’s Coolie, which dominated advance bookings.

War 2 concludes with a qualified yes – it delivers spectacle and star power but falls short of greatness. The film works as a crowd-pleasing entertainer with impressive action sequences and strong lead performances. While it may not surpass the original War or Pathaan in terms of impact, it provides enough thrills to satisfy action movie fans looking for large-scale entertainment.

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Movies

Conclave (2024): Ralph Fiennes Leads a Riveting Vatican Power Struggle Thriller

Name: Conclave (2024)

Release Date: 7 February 2025

Director: Edward Berger

Cast:

  • Ralph Fiennes as Cardinal Lawrence
  • Stanley Tucci as Cardinal Benedict
  • John Lithgow as Cardinal Seaton

Description: Conclave is a 2024 political thriller that plunges into the secretive rituals of the Vatican as it prepares for a new papal election. The film explores the collision of ancient traditions with modern conspiracies through intense, character-driven drama.

Plot: When Cardinal Lawrence is tasked with leading one of the world’s most ancient and secretive events, the selection of a new Pope, he finds himself caught in a complex web of conspiracies and intrigue. 

As rival factions within the Church maneuver for power and hidden agendas emerge, Lawrence must navigate treacherous loyalties and moral dilemmas. 

The unfolding events force him to question everything from institutional tradition to his own beliefs, as the conclave becomes a crucible for ambition, betrayal, and the relentless pursuit of truth.

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Celebrities Trending

Juhi Chawla: Iconic Bollywood Actress, Producer, and Philanthropist

Name: Juhi Chawla​

Profession: Actress, model, film producer, entrepreneur, social activist

Born: November 13, 1967, in Ambala, Haryana, India​

Nationality: Indian​

Known for: Her vivacious on-screen persona and exceptional comic timing in Bollywood films

Biography:

Juhi Chawla, born on November 13, 1967, in Ambala, Haryana, is a prominent Indian actress, model, film producer, and social activist. She gained national recognition after winning the Miss India title in 1984 and subsequently represented India at the Miss Universe pageant, where she was honored with the Best Costume Award. 

Chawla made her acting debut with a brief appearance in “Sultanat” (1986). Her breakthrough came with the romantic drama “Qayamat Se Qayamat Tak” (1988), where she starred opposite Aamir Khan. The film’s success established her as a leading actress in Bollywood. ​

Throughout the 1990s, Chawla delivered several successful performances in films like “Hum Hain Rahi Pyar Ke” (1993), “Yes Boss” (1997), and “Ishq” (1997), showcasing her versatility and solidifying her status in the industry. She won the Filmfare Award for Best Actress for her role in “Hum Hain Rahi Pyar Ke”.

In the 2000s, Chawla expanded her repertoire by taking on roles in art-house films such as “3 Deewarein” (2003) and “My Brother Nikhil” (2005), earning critical acclaim for her performances.

Beyond acting, Chawla co-founded the production company Dreamz Unlimited with Shah Rukh Khan and Aziz Mirza, producing films like “Phir Bhi Dil Hai Hindustani” (2000). She also co-owns the Indian Premier League cricket team Kolkata Knight Riders, alongside her husband Jay Mehta and Shah Rukh Khan. ​

Chawla’s philanthropic efforts are notable; she is actively involved in various charitable causes and is known for her advocacy on environmental issues.

Awards and Accolades:

  • Filmfare Award for Lux New Face of the Year for “Qayamat Se Qayamat Tak” (1988)
  • Filmfare Award for Best Actress for “Hum Hain Rahi Pyar Ke” (1993)​

Interesting Facts:

  • Chawla is a trained Kathak dancer and has studied classical singing for six years.
  • She co-owns the Kolkata Knight Riders IPL team with her husband and Shah Rukh Khan. ​
  • An avid reader, her favorite book is “The Alchemist” by Paulo Coelho.

Social Media:

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Hollywood Movie Reviews Movies

Disney’s Snow White Remake 2025: Reinvention or Ruin?

Disney’s 2025 live-action remake of “Snow White” has sparked a flurry of discussions, blending classic elements with modern twists. The film introduces Rachel Zegler as Snow White and Gal Gadot as the Evil Queen. While aiming to resonate with today’s audience, it faces challenges in balancing tradition with contemporary sensibilities.​

In this adaptation, Snow White is portrayed as a proactive leader, moving beyond the passive character of the original. Rachel Zegler’s performance adds depth, presenting Snow White as strong-willed yet kind. This shift emphasizes independence and leadership, aligning with modern values.

Gal Gadot’s portrayal of the Evil Queen brings a new layer of complexity, making her more than a one-dimensional villain. The dynamic between Snow White and the Queen is central, offering intense and captivating interactions. However, the absence of the traditional prince character shifts the narrative focus, highlighting Snow White’s journey of self-discovery.​

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The seven dwarfs are reimagined using CGI, a decision that has elicited mixed reactions. Some viewers appreciate the modernization, while others feel it lacks the charm of the original. This approach underscores the challenges of updating beloved characters for contemporary audiences.​

Visually, the film offers a vibrant setting, with enchanting forest scenes immersing viewers in a fairy-tale world. However, some critics feel the visuals are overly saturated, leading to a sense of artificiality. Musically, the soundtrack introduces new songs alongside classics, aiming to blend nostalgia with contemporary sounds.​

The film has faced its share of controversies, from casting decisions to concerns over political correctness. Rachel Zegler’s social media posts supporting Palestine have added to the debate, influencing audience perceptions and box office performance. These controversies highlight the complexities of adapting classic tales in today’s socio-political climate.​

Critics have offered mixed reviews, with some appreciating the fresh take and others feeling the film strays too far from the original. The blend of live-action, CGI, and modern storytelling doesn’t always resonate, leading to a divided audience reception. This division underscores the challenges of reimagining cherished stories.​

Disney’s “Snow White” serves as a case study in the difficulties of reinterpreting classics for modern audiences. The balance between honoring the original and introducing modern elements is delicate. As the film industry continues to revisit classic tales, finding this balance will be crucial for future adaptations.​

For viewers, the film offers a new perspective on a familiar story, though reactions may vary based on individual expectations and attachments to the original. As with any adaptation, it prompts discussions about tradition, representation, and the evolution of storytelling. Ultimately, it reflects the ongoing dialogue between past and present in cinematic storytelling.​

In conclusion, Disney’s “Snow White” is a bold attempt to modernize a classic fairy tale, offering both fresh perspectives and points of contention. It invites viewers to reflect on the evolution of storytelling and the balance between tradition and innovation. As with all art, its impact will be shaped by the conversations it ignites and the diverse reactions it elicits.​

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Celebrities

A.R. Murugadoss: Indian film director, producer, and screenwriter

AR Murgadoss
AR Murgadoss

A.R. Murugadoss, born Murugadas Arunachalam on September 25, 1974, in Kallakurichi, Tamil Nadu, is a renowned Indian filmmaker known for his action-packed films that often address social issues. Growing up as the fifth of seven children, Murugadoss developed a passion for cinema during his college days at Bishop Heber College, Tiruchirapalli, where he actively participated in cultural events and wrote jokes for Ananda Vikatan.

After being rejected by the Madras Film Institute, Murugadoss started his career as an assistant scriptwriter under veteran screenwriter P. Kalaimani and later worked as an assistant director for Ratchagan (1997) and Kalusukundam Ra. His directorial debut, Dheena (2001), starring Ajith Kumar and Suresh Gopi, was a critical and commercial success, setting the stage for his successful career in the Tamil film industry.

Murugadoss gained widespread recognition with his vigilante film Ramanaa (2002), which was remade in several languages. His psychological thriller Ghajini (2005), starring Suriya, was a major success and was later remade in Hindi with Aamir Khan, becoming Bollywood’s first ₹100 crore film. Other notable works include the sci-fi thriller 7aum Arivu (2011), the action films Thuppakki (2012) later made in Hindi and named Holiday, and Kaththi (2014), and the political action drama Sarkar (2018).

Awards and Accolades

  • Filmfare Award for Best Director for Kaththi (2014)
  • Tamil Nadu State Film Award for Best Film (won twice)

Interesting Facts

  • The initials “AR” in his name are derived from his father’s name, Arunachalam, which he added after signing his first film, Dheena, in 2001.
  • His Hindi film Ghajini (2008) was the first Bollywood film to enter the ₹100 crore club.
  • He is known for his meticulous approach to filmmaking, often focusing on social issues and incorporating elements of realism into his films.

Why A.R. Murugadoss is Trending?

Murgadoss met with Ghajni & Sikandar

A.R. Murugadoss is making headlines, but not for the right reasons. His much-anticipated Bollywood collaboration with Salman Khan, Sikandar, has left fans shocked—not because of its brilliance, but due to its underwhelming execution. Many expected a gripping, high-impact film in Murugadoss’ signature style, but instead, Sikandar turned out to be a predictable, over-the-top mass entertainer. The weak screenplay, exaggerated action sequences, and outdated storytelling have led many to call it one of his weakest films to date.

Murugadoss himself admitted that working with a superstar like Salman comes with compromises. He revealed that when directing a film with a big star, he couldn’t stay completely true to the script and had to prioritize fan expectations over storytelling. This statement has only fueled criticism, with many arguing that his signature storytelling suffered in Sikandar due to commercial pressures.

“When you are working with superstars, you cannot be 100 per cent true to the script. We’ve to compromise for the audience, for the fan base, for the opening. We cannot go with being 100 per cent genuine as a director. We’ve to satisfy the fans and think about them. It is difficult to be in that zone,” AR Murugadoss told PTI in an interview

Even Bhai Couldn’t Save the Sikandar Film!
Sikandar Review ⬆️

Social Media

/a.r.murugadoss/

Height and Weight

160 cm (5′ 3″)

Residence

Currently resides in Virugambakkam, Chennai

Recent Work

  • Sikandar (2025) – Director
  • August 16, 1947 (2023) – Producer
  • Raangi (2022) – Story contributor

Family

Married to Ramya since 2005, with two children. His brother, Dileepan, made his acting debut in Vathikuchi, a film produced by Murugadoss.

Controversies or Notable Public Incidents

His film Sarkar (2018) faced legal issues and political backlash due to its portrayal of certain political figures and policies, leading to some scenes being edited out post-release.

Conclusion

A.R. Murugadoss continues to be one of the most respected and successful directors in Indian cinema. His latest project, Sikandar, marks his return to Bollywood, and with Salman Khan leading the film, the hype is real. Whether this collaboration meets the high expectations of fans remains to be seen, but one thing is certain—Murugadoss knows how to deliver a mass entertainer.

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Bollywood Movie Reviews Reviews

Mere Husband Ki Biwi Review: Love, Lies & Laughs in a Marital Mess

The film follows Ananya (Bhumi Pednekar), a sharp-witted architect who discovers her husband, Rohan (Rajkummar Rao), is secretly married to another woman, Pooja (Kriti Sanon). What starts as a revenge plot turns into a messy journey of introspection as Ananya confronts her own flaws alongside Rohan’s lies.

Director Hitesh Kewalya balances satire and drama without letting the story spiral into melodrama. Scenes like Ananya and Pooja teaming up to roast Rohan’s excuses are both hilarious and cathartic.

Rao’s portrayal of a guilt-ridden charmer is stellar, but Pednekar steals the show with her fiery yet vulnerable performance. Kriti Sanon, as the “other wife,” adds depth to a role that could’ve easily been one-note.

The Mumbai setting, with its crowded streets and posh apartments, mirrors the characters’ cluttered lives. Cinematographer Jay Patel uses warm tones for flashbacks and stark lighting for confrontations, visually underlining the emotional shifts.

Amit Trivedi’s soundtrack blends peppy tracks like Chori Chori with soulful melodies like Dard-e-Dil, enhancing the film’s mood. The background score subtly mirrors Ananya’s chaos, using violins and percussion during tense moments.

The script’s weakest link is its rushed second act, where subplots about Rohan’s office politics feel unnecessary. Still, the witty dialogues (“Marriage certificates should come with a return policy!”) keep the energy alive.

Pednekar’s monologue about societal pressure on married women is raw and relatable. It’s a scene that lingers, highlighting how the film critiques traditional gender roles without being preachy.

Family reactions add flavor—Ananya’s mother (Seema Pahwa) steals scenes with her passive-aggressive advice. These moments ground the story in cultural specificity, making the drama feel authentic.

A tense confrontation between Ananya, Rohan, and Pooja

The climax, set during a stormy night, ties up loose ends a bit too neatly. Yet, the final scene, where Ananya dances alone to Chori Chori, perfectly captures her bittersweet liberation.

While the film doesn’t reinvent the marital drama genre, it’s refreshing to see flawed characters who aren’t vilified. Rohan’s redemption arc, though rushed, avoids clichés by focusing on his growth, not grand gestures.

Critics praise the performances but note the pacing issues, with the 150-minute runtime testing patience. Audiences, however, seem to love the mix of humor and heart—the film earned ₹80 crore globally in its first week.

Social media buzz revolves around memes of Rao’s guilty expressions and Pednekar’s iconic one-liners. It’s a pop-culture moment that proves Bollywood can still spark conversations about modern relationships.

Loveyapa Movie Review: A Simple and Charming Modern Romance Film

The costume design subtly reflects character arcs—Ananya shifts from muted sarees to bold blazers, symbolizing her reclaiming control. Pooja’s floral dresses contrast with her steely resolve, adding layers to her persona.

Not all jokes land, though. A recurring gag about Rohan’s terrible cooking feels forced, disrupting the flow. But these missteps are outweighed by the film’s emotional honesty.

Mere Husband Ki Biwi isn’t about villains or heroes, it’s about people navigating love’s gray areas. Its strength lies in making you laugh, then pause to reflect on your own relationships.

If you’re tired of clichéd love triangles, this film offers a fresh, flawed, and funny take. Just brace for a few potholes on the ride.

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Bollywood’s Struggle with Originality: Examining Paresh Rawal’s Candid Observation

Bollywood’s penchant for “borrowing” content is no secret. Veteran actor Paresh Rawal’s candid remark, “Hum toh chori ka maal hi uthate the,” sheds light on this enduring issue. His statement underscores a long-standing trend in the industry. Let’s delve into how Bollywood has often opted for imitation over innovation.

The industry has a history of adapting plots and tunes from Hollywood blockbusters. Many films resemble recycled versions of foreign movies. This practice raises questions about the industry’s commitment to originality.

Even prominent directors and composers aren’t immune to this trend. Figures like Pritam have faced criticism for uncredited inspirations. Such actions highlight a broader issue within Bollywood’s creative processes.

Take “Partner,” for example, which mirrors the Hollywood hit “Hitch.” The storyline feels more like a remix than an original creation. This reflects a pattern of rehashing successful formulas.

A side by side scene of Chachi 420 and Mrs. Doubtfire

“Chachi 420” is another instance, drawing heavily from “Mrs. Doubtfire.” Paresh Rawal’s observation resonates here, as the film closely follows its source material. Such adaptations blur the lines between homage and imitation.

The trend extends beyond films to music as well. Tracks like “Munni Badnam Hui” have sparked debates over their similarities to foreign songs. This practice raises concerns about the industry’s creative integrity.

Entire scenes are sometimes replicated without acknowledgment. For instance, “Housefull” has been criticized for lifting sequences from Hollywood comedies. Such actions question the industry’s dedication to original storytelling.

South Indian cinema hasn’t been spared either. Movies like “Rowdy Rathore” are direct remakes of Telugu films such as “Vikramarkudu.” This trend reflects a broader issue of recycling content across regional industries.

Bollywood’s copying isn’t limited to direct remakes. Sometimes, it borrows from South films that were themselves inspired by Hollywood. This creates a cycle where originality is continually diluted.

Music directors frequently face allegations of plagiarism. Tunes by composers like Pritam often bear striking resemblances to international hits. This pattern suggests a systemic issue within the music industry.

The song “Sadi Gali” is a case in point, with its beats echoing Western tracks. Such instances highlight the pervasive nature of copying in Bollywood music. This trend undermines the industry’s potential for original compositions.

Renowned filmmakers like Karan Johar have also been accused of lifting ideas. Some of his productions mirror the style and plots of Hollywood movies. This practice raises questions about the industry’s creative direction.

Bollywood doesn’t hesitate to draw from international cinema. Films from countries like Korea and Japan often find unofficial remakes in India. This trend reflects a broader issue of cultural appropriation.

Actors, too, aren’t exempt from this phenomenon. Some stars deliver lines reminiscent of foreign films, making originality scarce. This practice dilutes the authenticity of performances.

The industry’s success often hinges on how well it mimics proven hits. Familiarity tends to garner audience approval, perpetuating the cycle. This reliance on imitation stifles innovation.

“Race 2” exemplifies this trend, with its high-speed chases resembling Hollywood action flicks. The similarities are hard to overlook, highlighting Bollywood’s penchant for replication. Such practices raise concerns about the industry’s creative future.

Original creators rarely receive due recognition when their work is copied. Credits are often overlooked, leading to ethical dilemmas. This lack of acknowledgment undermines artistic integrity.

The prevalence of copied content has normalized intellectual theft. Paresh Rawal’s blunt statement reflects a truth many insiders acknowledge. This acceptance hinders the industry’s growth and evolution.

Bollywood’s habitual copying stifles creativity and originality. Paresh Rawal’s candid observation serves as a wake-up call for the industry to foster genuine innovation. Embracing original storytelling is essential for Bollywood’s evolution.

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All We Imagine as Light: India’s Cannes-Winning Masterpiece Shines Bright

Name: All We Imagine as Light Release 

Date: May 22, 2024 (Cannes Film Festival premiere), October 18, 2024 (India release) 

Director: Payal Kapadia 

Cast:

  • Kani Kusruti as Prabha
  • Divya Prabha as Anu
  • Chhaya Kadam as Parvati
  • Hridhu Haroon as Shiaz
  • Azees Nedumangad as Das
  • Parvathy Nair as Nurse
  • Charlie as Dr. Unnikrishnan

Description: 

All We Imagine as Light is a 2024 Indian Malayalam-language drama film and the feature directorial debut of Payal Kapadia. The film made history as the first Indian film in 30 years to win the Grand Prix (second prize) at the Cannes Film Festival. 

Shot in Mumbai, Kerala, and Lakshadweep, it explores the lives of three women in contemporary Mumbai through a poetic narrative that blends realism with dreamlike sequences. The film examines personal freedom, companionship, and the search for identity amidst societal constraints, particularly for women working in healthcare.

Plot:

The film follows Prabha, a nurse from Kerala working in Mumbai, who lives with her roommate Anu, a younger nurse at the same hospital. Prabha is estranged from her husband who moved to Germany years ago, leaving her in a state of emotional limbo. 

Despite this separation, he occasionally sends her gifts that she cannot bring herself to open, symbolizing her inability to either fully embrace or reject her past.

Anu is in a secret relationship with Shiaz, a Muslim man, and they struggle to find privacy in the crowded city. Their romance faces the additional challenges of religious differences and social expectations. 

The third central character is Parvati, an older woman who works as a hospital aide and maintains a stoic demeanor despite her own hardships.

When Prabha unexpectedly receives a radio from her estranged husband that mysteriously picks up his voice from Germany, her emotional world begins to unravel. Meanwhile, the hospital where the women work announces its impending closure, adding professional uncertainty to their already precarious personal lives.

The narrative takes a turn when the three women embark on an impromptu trip to a coastal town in Kerala, seeking temporary escape from their Mumbai existence. This journey becomes a transformative experience, especially for Prabha, who begins to rediscover herself away from the defined roles and expectations that have confined her.

As they travel through lush landscapes that contrast with Mumbai’s urban density, each woman confronts her own desires and fears. The seaside setting becomes a space of possibilities, where Prabha particularly begins to imagine alternatives to her suspended life. 

The film’s conclusion offers a delicate meditation on how light, both literal and metaphorical, can illuminate paths forward even in the most constrained circumstances.